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Stockroom

The Dominik Mersch Gallery stockroom offers a curated selection of important works by each of our artists. This page offers a streamlined way to collect top-tier works, bringing art straight from the gallery to your doorstep.

To enquire about all available artworks by an artist, please contact the gallery on [email protected] or Dominik on 0423 300 802. Please contact us for shipping options.


Kei Takemura

‘Renovated light’, 2010, Italian synthetic cloth, glass light, Japanese silk thread, 10H x 8D cm

Andrew Rogers

‘I Believe IV’, 2022, bronze and stainless steel, 106 x 37 x 29 cm

Catherine O’Donnell

‘Golden House Series: House 4’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Peta Clancy

‘Fissures In Time 4’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Clemens Krauss

‘Venture / Adventure’, 2022, oil on canvas, 110 x 90 cm

Catherine O’Donnell

‘Afternoon Reflections’, 2023, charcoal on paper, 50 x 72 cm, unframed

Tina Havelock Stevens

‘A Burst of Boiling Rage (Installation)’, 2021-2022, Rug (designed with Elliott Bryce Foulkes), Drum kit, screen, POA

Tim Johnson

‘Thredbo Verse’ (with Daniel Bogunvic), 2022, acrylic on linen, 183 x 152 cm

Tina Havelock Stevens

‘Beacon Boom, The Longships’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Isidro Blasco

‘Black and White’, 2016, C-Print, wood, museum board, 180 x 53 x 20 cm

Peta Clancy

‘Undercurrent’ (2), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Meng-Yu Yan

‘Rocher des Faux-Amants II’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 52 x 52cm 

Peter Hoffer

‘Eucalyptus I’, 2023, acrylic and epoxy on board, 122 x 91 cm

Peta Clancy

‘Confluence 3’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Clemens Krauss

‘Remaining Silent 1’, 2013, acrylic on board, 24 x 30 cm

Lucas Davidson

‘Skin Deep’, 2019, pigment print, 78 x 109cm, unique work

Peter Hoffer

‘Acacia’, 2023, acrylic and epoxy on board, 97 x 81 cm

Locust Jones

‘Four Sacred Mountains’, 2021, ink on paper, framed, ca. 166 x 117 cm

Clemens Krauss

‘Subtitle 11’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Tina Havelock Stevens

‘The Key of Zig Zag’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Claudia Terstappen

‘Being curious’, 2021, glazed ceramic, ca. 42 x 28 x 18 cm, wood plinth, ca. 34 x 24 x 11 cm

Claudia Terstappen

‘Surprise’, 2021, glazed ceramic, ca. Ø 15 x 21cm, wood plinth, ca. 28 x 25 cm

Tina Havelock Stevens

‘Moonlit Tempo, Manly’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Giacomo Costa

‘Private Garden n.8’, 2009, C-Print on Aluminium, 100 x 200cm

Dani Marti

‘The secret life of tweens’, 2007, polyester, nylon and leather on wood, 185 x 200 x 8cm

Gary Deirmendjian

Gary Deirmendjian,‘still life –iv’, 2005, Duraluxe sublimation aluminium,30 x 23 cm, edition of 7 + 1A.P.

Lucas Davidson

‘Field Study’, 2019, four-sided mirror boxes, dimensions variable

Lottie Consalvo

‘Falling Into Mountains’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Clemens Krauss

‘Remaining Silent 5’, 2013, acrylic on board, 13 x 18 cm

Locust Jones

‘Lord Kitcheners Big Five’, 2012, Linocut, Arches Cover White 300gsm, 65cm x 120cm (unframed size), edition of 7

Nidhal Chamekh

‘Untitled 3’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Locust Jones

‘Back in the corner’, 2023, acrylic ink, pigment and coloured pencil on paper, 56 x 76 cm, unframed

Tina Havelock Stevens

‘Lake Arrangement, Queenstown’, 2022, pigment archival print on aluminium, pig. paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Gary Deirmendjian

Gary Deirmendjian, ‘a red dreaming’, 2009, giclée print, 55 x 80 cm, edition of 7 + 1AP

Claudia Terstappen

‘Different ideas floating about’, 2022, glazed ceramic, ca. 150 x 43 x 12 cm

Peter Hoffer

‘Saint Jerome’, 2022, acrylic, oil and epoxy on board, 124 x 110 cm

Kei Takemura

‘Hana No Iro’, 2015, print on cotton, Japanese silk thread, German synthetic cloth, 300 x 700 cm

Clemens Krauss

‘Origin’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Giacomo Costa

‘atmosfera n.23’, 2020, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 100 cm

Jon Cattapan

‘The Cave’, 2022-23, oil and acrylic on Belgian linen, 185 x 240cm

Dani Marti

‘Dust (Yellow)’, 2020, customised corner reflectors, 42 x 42cm

Tim Johnson

‘Cosmic Sea’, 2021, oil on linen, 152 x 183 cm

Peta Clancy

‘Confluence 6’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Peter Hoffer

‘Nuytsia’, 2023, acrylic and epoxy on board, 122 x 91 cm

Lucas Davidson

‘I would follow the world for you’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Jon Cattapan

‘Ear of Dionysius 8’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Lucas Davidson

‘From the moment I met you’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Claudia Terstappen

‘Curtain Fig Tree’, 2002, gelatine silver print, mounted onto aluminium, framed, 127 x 127cm, edition of 8 + 2 AP

Ellen Dahl

‘as Below so Above #4’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Nidhal Chamekh

‘Le Battement des Ailes N°11’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Clément Cogitore

‘Digital Desert, Diptych #1 (detail #1)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Gary Deirmendjian

Gary Deirmendjian, ’embedded … not’, 2010, giclée print, 60 x 80 cm, edition of 7 + 1 AP

Catherine O’Donnell

‘Golden House Series: House 1’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 3

Gary Deirmendjian

Gary Deirmendjian, ‘from a dialogue within’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 A.P

Anne Zahalka

‘Rising Tide’, 2022, Type C print, plastics collected from birds, 80 x 80cm framed

Clemens Krauss

‘Autoplastic’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Catherine O’Donnell

‘Suburban Fibro Series #10’, 2020, balsa wood and mixed media, 9.5 x 26 x 2.5cm

Lottie Consalvo

‘The Fictitious Imagery (2)’, 2019, acrylic on board, mounted onto black linen, 125 x 85 cm

Lottie Consalvo

‘Oceanic Thoughts’, 2022, acrylic on board, 200 x 120 cm

Locust Jones

‘We just didn’t believe it’, 2023, colour pencil on stonehenge paper, 76 x 56 cm, unframed

Tim Johnson

‘Kalachakra Mandala (with Karma Phuntsok)’, 2004, acrylic on linen, 122 x 91 cm

Claudia Terstappen

‘Rain today, sun tomorrow’, 2022, glazed ceramic, rope, ca. 120 x 40 x 12 cm, 8 cones Ø 10 x 21-24 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #3’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Kei Takemura

‘Leave from B Point in C Point’, 2012, print on cotton, Japanese silk thread, German synthetic cloth, 90 x 130 cm

Lucas Davidson

‘In perfect stillness’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Jon Cattapan

‘Constellation Group Study I’, 2018, 3D print, framed, 37 x 44 cm, edition of 5 + 1 A.P

Lottie Consalvo

‘Before The Fall II’, 2022, plaster, hessian and wood, 52 x 30 x 42 cm ca.

Catherine O’Donnell

‘Exit #2’, 2023, charcoal on paper, 36 x 102 cm, unframed

Claudia Terstappen

Claudia Terstappen, ‘Petrol tower‘, 2019, glazed ceramic, 25 x 33 x 13 cm

Kei Takemura

‘Renovated R.D.’s pitcher’, 2013, ceramic jug, Italian synthetic cloth, Japanese silk thread, 13H 18D cm

Andrew Rogers

‘Sustenance, Turkey’, 2009, C-Print, Diasec Face, 102 x 130 cm, edition of 12 + 1AP

Claudia Terstappen

‘Disorganised’, 2021, glazed ceramic, ca 39 x 30 x 7 cm

Kei Takemura

‘Renovated light bulb purple’, 2012, light bulb, Italian synthetic cloth, Japanese silk thread, 10H x 6D cm

Ellen Dahl

‘as Below so Above #7’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

John Beard

‘Harbour 1’, 2021, oil and wax on linen, 51 x 69 cm

Kei Takemura

‘Renovated buildings HELVETIA VERSICHER’, 2014, broken German model buildings, broken mirror, Italian synthetic cloth, Japanese silk thread, 25 x 25 x 18 cm

Clemens Krauss

‘Comfort is grace’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Jon Cattapan

‘Ear of Dionysius 10’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Nidhal Chamekh

‘Untitled 1’, lithographs on watercolour paper, 23 x 31 cm, edition of 50

Dani Marti

‘The Pleasure Chest (Composition in White)’, 2015-2016, second hand necklaces and beads on powder coated aluminium frame, 190 x 260 x 9cm

Claudia Terstappen

‘School of objects’, 2022, glazed ceramic, glue, 80 x 26 x 22 cm

Clément Cogitore

‘Braguino #3 (Children’s hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Lottie Consalvo

‘From Here 9’, 2019, acrylic on board, 30 x 30 cm

Dani Marti

‘Gris sobre rosa’ from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Lucas Davidson

‘Association Organ’, 2017, acrylic mirror, 190 x 62 x 31 cm, edition of 1 + 1 a.p.

Catherine O’Donnell

‘Golden House Series: House 2’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Peta Clancy

‘Confluence 4’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Tim Johnson

‘Limited Edition’, 2022, acrylic on linen, 183 x 152 cm

Lottie Consalvo

‘The Moon Fell and Nothing Happened (But I couldn’t see the sea)’, 2020, acrylic on canvas, 90 x 80 cm

Katie West

yuwarda (build a fire in a shallow depression) 1/4, Silk, natural dyes (eucalyptus, corymbia and acacia), 128cm x 121cm

Clemens Krauss

‘Venture / Adventure VII’, 2022, oil on canvas, 110 x 90 cm

Clemens Krauss

Clemens Krauss, ‘Association’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 28 x 36 cm

John Beard

‘THE RAFT – I’, 2017, digital print mounted onto Dibond, 120 x 119 cm

Julian Day

Soft Diplomacy’, 2018, fabric, steel, wood, amplifier, speaker, media player, 300 x 100 cm, edition of 5 + 1AP.

Clemens Krauss

‘Subtitle 13’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Tina Havelock Stevens

‘Summit Arpeggio, Snowdon’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Katie West

wilayi bangarrii (go for a walk) 6/6, calico, natural dyes (eucalyptus, corymbia and acacia), 96.5cm x 126cm

Lottie Consalvo

‘Dark Moon IV’, 2022, acrylic and river pebbles on board, 50 x 60 cm

Peta Clancy

‘Confluence 7’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Lottie Consalvo

‘From the Lake I’, 2020, acrylic and enamel on board, 84 x 122 cm

Helen Pynor

Liquid Ground 5′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Claudia Terstappen

‘Blaue Bänder’ (blue ribbons)’, 2020, glazed ceramic, ca. 45 x 24 x 4 cm

Elger Esser

‘Helensburgh’, 2015, Hahnemühle Ultrasmooth 100 cotton rag, 100 x 120 cm, edition of 7 + 1AP

Katie West

‘wanyaarri (listen)’ no. 2, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 98 x 107 cm

Isidro Blasco

‘New York Wave, BW’, 2017, c-print, wood, museum board, 198 x 71 x 35 cm

Lucas Davidson

‘Ashes, Bones’, 2019, pigment print, 78 x 109cm, unique work

Tim Johnson

‘King Gesar’, 2021, set of 3 panels, 135 x 122 cm overall

Dani Marti

‘DuST – Portrait of Jada saving Sad Frogs beside the road’, 2021, customised reflectors on powder coated aluminium frame, 181 x 121 x 4.5cm

Nidhal Chamekh

‘Le Battement des Ailes N°8’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Tina Havelock Stevens

‘Monaco Percuss’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Clemens Krauss

‘Sharing the drink‘, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Lottie Consalvo

‘In Great Force’, 2022, acrylic on board, 200 x 120 cm

Tim Johnson

‘Buddha Descending on a Cloud’, 1983, acrylic on canvas, 75 x 100 cm

Peta Clancy

‘Fissures In Time 3’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Jon Cattapan

‘Ear of Dionysius 5’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Clemens Krauss

Clemens Krauss, ‘Erratisch’, 2018, oil on canvas, 50 x 70 cm

Locust Jones

‘Driver mutations’, 2023, acrylic ink and coloured pencil on stonehenge paper, 81 x 61 cm, framed

Katie West

‘Yuwarda (build a fire in a shallow depression)’, no. 4, 2019, silk, natural dyes (eucalyptus, corymbia and acacia), 129 x 121cm

Peta Clancy

‘Confluence 9’, 2022, pigment inkjet print, edition of 5 + 1 AP, 117 x 150 cm / edition of 5 + 1 AP, 78 x 100 cm

Clément Cogitore

‘Digital Desert #2’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, Artist Proof 1/2

Clément Cogitore

‘Digital Desert, Diptych #3 (detail #5)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Anne Zahalka

‘The Reader (Silke Leverkühne/painter)’, 1987, Cibachrome and Ilfrachrome prints, 30 x 30cm (framed 47.3 x 47cm), edition 10 + 2A/P

Jon Cattapan

‘Ear of Dionysius 7’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Liam Garstang

‘There’ll Be No More Shepherds’ Number 1, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Kei Takemura

‘Renovated leaves dish’, 2011, ceramic plate, Italian synthetic cloth, Japanese silk thread, 3H x 21H cm

Ellen Dahl

‘Field notes from the edge #11 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

Lucas Davidson

‘A Solely Internal Affair’, 2017, pigment print, 112 x 90 cm, edition of 3 + 1 a.p.

Kei Takemura

‘K.K.’s grand mother’s renovated rice bowl’, 2009, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 11D x 5H cm

Gary Deirmendjian

Gary Deirmendjian, ‘still life – iii’, 2005, Duraluxe sublimation aluminium, 21 x 23 cm, edition of 7 + 1A.P.

Meng-Yu Yan

‘Another Ruin V’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Locust Jones

‘Dive, Dive, Dive’, 2023, acrylic ink and coloured pencil on stonehenge paper, 84 x 65 cm, framed

Gary Deirmendjian

Gary Deirmendjian, ‘wet capacity ii’, 2013, mixed media, 18 x 28 x 17 cm

Clemens Krauss

Clemens Krauss, ‘Zellen / Cells’, 2019, oil on canvas, 60 x 50 cm

Isidro Blasco

‘Model 1’, 2016, c-print, wood, museum board, 40 x 20 x 5cm

Lucas Davidson

‘Incompleteness Theorem’, 2017, pigment print, 90 x 60 cm, edition of 3 + 1 a.p.

Elger Esser

‘Locquirec’, 2020, C-Print, Diasec Face, 98 x 77 x 4 cm, framed, edition 2/7 + 1AP

Claudia Terstappen

‘Alien creature’, 2021, glazed ceramic, ca. 54 x 28 x 16 cm

Gary Deirmendjian

Gary Deirmendjian, ‘still life – ii’, 2005, Duraluxe sublimation aluminium,21 x 23 cm, edition of 7 + 1A.P.

Ellen Dahl

‘Field notes from the edge #9 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, custom made oak frame with museum glazing, 28 x 36 cm

Meng-Yu Yan

‘New Moon Cleanse’, 2018, framed digital print on Ilford gold mono, edition of 7 + 1 AP

Claudia Terstappen

‘Palace of Versailles’, 2021, glazed ceramic, ca. 40 x 30 x 19cm, wood plinth, ca. 25 x 23 x 22 cm

Lottie Consalvo

‘A Seat Upon the Sky’, 2022, river pebbles and acrylic on board, 68 x 78 cm, framed

John Beard

‘Harbour 2’, 2021, oil and wax on linen, 51 x 69 cm

Kei Takemura

‘The accident 1’, 2013, Italian synthetic cloth, Japanese silk thread, 26 x 16 x 12 cm

Tim Johnson

‘Heruka’ (with Daniel Bogunovic), 2022, 3 panels overall 183 x 241 cm: or 183 x 60 cm each

Dani Marti

‘Dust (Purple)’, 2020, customised corner reflectors, 42 x 42cm

Lottie Consalvo

‘Rising Mountains’, 2020, acrylic on board, 100 x 120 cm

Jon Cattapan

‘Dissonant Group No. 1’, 2019-2020, acrylic and oil on linen, 100 x 100 cm

Locust Jones

‘Thirty Eight Billion Years Ago’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 138 cm, framed

Lucas Davidson

‘Soft Boundary’, 2019, pigment print, 78 x 109cm, unique work

Elger Esser

‘Fecamp’, 2019, Mixed Media: Copper Plate, Direct print, Shellac, 33 x 29 x 4 cm, edition 2/3 + 1AP, framed

Tim Johnson

‘Tsong Kapa 2’, 2020, acrylic on linen, 40 x 50 cm

Peta Clancy

‘Confluence 2’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Dani Marti

‘Joc de mots en rosa joganera – take 1’, 2022, polyester and polypropylene rope on a polished aluminium frame, 47 x 47 x 6cm

Lucas Davidson

‘Self portrait’, 2012, duration 12:27 minutes, edition of 3 + 1 a.p.

Meng-Yu Yan

‘Another Ruin III’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Clément Cogitore

‘Braguino #1 (Boy)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Lottie Consalvo

‘Shadow Cave’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Tim Johnson

‘Charlie Parker & Miles Davis’, 2020, acrylic on linen, 20 x 25 cm

Armando Chant

‘Diptych III (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Ellen Dahl

‘as Below so Above #8’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Locust Jones

‘Hunter Gatherer’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 136 cm, framed

Lottie Consalvo

‘Into another place’, 2022, river pebbles and acrylic on board, 57.5 x 67 cm, framed

Lucas Davidson

‘Beginning with the end in mind’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Ellen Dahl

‘as Below so Above #5’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Locust Jones

‘Friday briefing’, 2023, ink on paper, 138 x 270 cm

Jon Cattapan

‘Pink Variance 5’, 2022, oil and acrylic on Belgian Linen,140 x 140 cm

Dani Marti

‘Dot – tirant lo blanc’, (green), 2022 customised reflectors on aluminium, 58 dia x 13cm depth

Clemens Krauss

‘Untitled’ from the series ‘Friction’, 2015, oil on canvas, 90 x 131 cm

Clemens Krauss

‘Venture / Adventure VI’, 2022, oil on canvas, 90 x 110 cm

Meng-Yu Yan

‘Jardin aux Moines’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 80 x 119cm

Nidhal Chamekh

‘Le Battement des Ailes N°9’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Giacomo Costa

‘Atmosfera n.17’, C print on aluminium, 100 x 177cm, edition of 1

Clemens Krauss

Clemens Krauss, ‘Attempt I’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 37 x 47 cm

Jon Cattapan

‘Ghost Vista 2+3’, 2022-23, oil and acrylic on Belgian Linen, 170 x 247 cm

Ellen Dahl

‘as Below so Above #3’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Andrew Rogers

‘I Am p’, 2023, bronze and stainless steel, 100 x 43 x 42 cm 

Lucas Davidson

‘A place to call home’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Dani Marti

‘Tension and contradiction – shattered vistas in green’, 2015, glass, jade, agate, quartz on aluminium frame, 60 x 60 x 12cm

Lottie Consalvo

‘I’ll move like you do’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Lucas Davidson

‘Learning to let go’, 2022, vinyl, 360 x 770 cm

Locust Jones

‘One hundred days’, 2023, acrylic ink on paper, 136 x 136 cm, framed

Locust Jones

‘Crackdown’, 2012, Linocut, Somerset Soft White 300gsm, 65cm x 60 cm (unframed size), edition of 7

Nidhal Chamekh

‘Le Battement des Ailes N°1 ’, 2019, inks and transfer on cotton paper. 23 x 30 cm, framed

Elger Esser

‘Seacliff II’, USA, 2007, C-Print & DiaSec Face, 180 x 236 cm, Edition 5/7

Claudia Terstappen

‘Yellow oval’, 2021, glazed ceramic, ca. 20 x 13 x 17 cm

Nidhal Chamekh

‘Le Battement des Ailes N°14’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Peter Hoffer

‘Scarlet II’, 2023, acrylic and epoxy on board, 60 x 60 cm

Tina Havelock Stevens

‘Pier of Melodious Dreams, Brighton’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Claudia Terstappen

‘Found treasure’, 2021, glazed ceramic, ca. 46 x 11 x 11 cm

Peta Clancy

‘Undercurrent’ (1), 2018-19, inkjet pigment print, 150 x 106 cm, edition of 5 + 1AP, unframed

Locust Jones

‘Dark energies’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Claudia Terstappen

‘2 rings’, 2019, glazed ceramic, ca. 47 x 28 x 14 cm

Lottie Consalvo

‘A Birds Fly’, 2021, acrylic on board, 100 x 120 cm

Dani Marti

‘Joc de mots en rosa joganera – take 2’, 2022, polyester and polypropylene rope on polished aluminium frame, 47 x 47 x 6cm

Armando Chant

‘Diptych II (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers

Piers Greville

‘El tres de mayo en Madrid’, 2020, oil and acrylic on masonite, 61 x 92 cm

Katie West

‘Water tank leaf’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Lottie Consalvo

‘Lost Sun’, 2021, acrylic on hessian, 57 x 77cm

Tina Havelock Stevens

‘The Synesthetic Portal, Corfe Castle’, 2022, pigment archival print on aluminium pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Jon Cattapan

‘Ear of Dionysius 3’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Clemens Krauss

Untitled’, 2015, oil on canvas, 3 panels each 130 x 70 cm, display size ca. 130 x 230cm

Gary Deirmendjian

Gary Deirmendjian, ‘and the light rained in’, 2010, giclée print, 60 x 80 cm, edition of 7 + 1 AP

Dani Marti

‘Between Grey’, 2022, polyester and polypropylene rope on polished aluminium frame, 110 x 110 x 8cm

Peter Hoffer

‘Scarlet I’, 2023, acrylic and epoxy on board, 97 x 81 cm

Peter Hoffer

‘Midi’, 2023, acrylic and epoxy on board, 122 x 91 cm

Kei Takemura

‘Renovated K.K.’s soup dish’, 2013, ceramic dish, Italian synthetic cloth, Japanese silk thread, 2H x 16D cm

Katie West

‘Lighting’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Claudia Terstappen

‘Counting days’, 2022, glazed ceramic, rope, size variable, ca. 340 x 8 cm

Tim Johnson

‘Pirates VS Aliens’ (with Daniel Bogunovic), 2022, acrylic on linen, 21 x 27 cm

Kei Takemura

‘R.D’s renovated café au lait bowl with blue lines’, 2012, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 7H x 15D

Kei Takemura

‘Renovated Greece flower vase’, 2014, ceramic vase, Italian synthetic cloth, Japanese silk thread, 17H x 7D cm

Locust Jones

‘Sacred News’, 2009, ink on paper, 250 x 130 cm

Tim Johnson

‘Serial Donut 2’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Tim Johnson

‘Tsong Kapa’, 2022, acrylic on linen, 50 x 60 cm

Ellen Dahl

‘Field notes from the edge #10 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

John Beard

‘Hill 2’, 2021, oil on canvas, 155 x 135 cm

Clément Cogitore

‘Digital Desert, Diptych #2 (detail #3)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Catherine O’Donnell

‘Striped Curtains’, 2023, charcoal on paper, 42 x 77 cm, unframed

Gary Deirmendjian

Gary Deirmendjian, ‘unplugged’, 2011, slip cast ceramic head form, resin encasement, other media, 18 x 28 x 17 plus cable dimensions variable

Locust Jones

‘Waiting for News’, 2021, ink, shellac, pigment, pencil and oil bar on layers of photographic back-lit film inside wooden light with LED panels, 75 x 75 x 15 cm

Clément Cogitore

‘Braguino #2 (Dogs)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Tina Havelock Stevens

‘Polyphonic Monaco’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Katie West

‘Wet sand scratches’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Ellen Dahl

‘as Below so Above #6’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Locust Jones

‘Hot histories’, 2023, ink and colour pencil on stonehenge paper, 81 x 61 cm, framed

Armando Chant

Palimpsest I (Valle de Veneon), 2022, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, wooden shelf, 65 x 42 cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Peta Clancy

‘Undercurrent’ (7), 2018-19, inkjet pigment print, 120 x 150 cm, edition of 5 + 1AP, unframed

Locust Jones

‘Garden of joy’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Nidhal Chamekh

‘Le Battement des Ailes N°3’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Clément Cogitore

‘Braguino #5 (Girl)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, no glazing, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Jon Cattapan

‘Diptych 7’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Elger Esser

‘Combray (Giverny IV)’, France (Haute-Normandie, 27 Eure), 2010, Heliogravure on hand made paper, 117 x 133 x 6 cm, edition of 12 + 3AP

Nidhal Chamekh

‘Le Battement des Ailes N°6’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Tina Havelock Stevens

‘A Burst of Boiling Rage’, 2021, Single-channel 4k digital video installation with stereo sound 15.30 min, Original music: Malcolm Arnold, Producer, Director & Performer: Tina Havelock Stevens, Director of Photography: Jackie Wolf, Sound Recordist & Mix: Jem Hoppe, Camera Assistant : Jubilee Chan, Artist Assistant: Anny Mokotow, Gaffer: Aleksei Vanamois, Editor: Kathy Drayton, Colourists – Dwaine Hyde, Jackie Wolf, Yanni Kronenberg, edition of 5 + 1 A.P.

Clément Cogitore

‘Braguino #7 (Wing)’, 2018 Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Lottie Consalvo

‘And The Moon Kept Rising’, 2021, acrylic on linen, 183 x 122 cm

Armando Chant

‘Sliver Diptych (Vallée de Vénéon)’, 2023, photographic digital print on 300gsm paper, graphite, wax, varnish, graphite stick, 167.5 x 24.5cm 

Kei Takemura

‘Renovated lighthouse’, 2014, glass, model lighthouse, Italian synthetic cloth, Japanese silk thread, 26H x 10D

Helen Pynor

Milk 1 (Sweet pittosporum), 2008, C-type photograph face-mounted on glass, 100 x 66cm, edition of 5 + 1AP

Dani Marti

‘DuST – Long Pink Square’, 2021, customised reflectors on powder coated aluminium frame, 181 x 121 x 4.5cm

Lottie Consalvo

‘Landscape II’, 2022, acrylic and river pebbles on board, 60 x 70 cm

Dani Marti

‘Composition in Blue and Green’, 2018, polyester and aluminium, 112 x 112 x 8cm

Clemens Krauss

‘Dissent Disorder’, 2015, oil on canvas, 111 cm x 71 cm

Peter Hoffer

‘Ella’, 2023, acrylic and epoxy on board, 152 x 120 cm

Emma Fielden

‘The Veil (after René Magritte’s The Lovers)’, 2020, pen and ink on 425gsm Saunders Waterford paper, framed, 92 x 92 cm

John Beard

‘Harbour 5’, 2021, oil and wax on linen, 51 x 69 cm

Dani Marti

‘Composition in Blue and Yellow (Ode to Catalonia)’, 2018, polyester and aluminium, 172 x 257 x 8cm

John Beard

‘Harbour 9’, 2021, oil and wax on linen, 51 x 69 cm

Ellen Dahl

‘Field Notes from the Edge #19′ (arctic coal), diptych, 2021, 33 x 42 cm each, eco solvent pigment prints on cotton rag mounted on Dibond, framed

Clément Cogitore

‘Digital Desert, Diptych #3 (detail #6)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Clemens Krauss

‘Business as usual’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Jon Cattapan

‘Ear of Dionysius 1’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Gary Deirmendjian

Gary Deirmendjian, ‘beneath my skin – there’s a will’, 2012, acrylic on canvas, framed, 110 x 110 cm

Isidro Blasco

‘Model 3’, 2016, C-print, wood, museum board, 25 x 25 x 5cm

Peta Clancy

‘Undercurrent’ (8), 2018-19, inkjet pigment print, 120 x 150 cm, edition of 5 + 1AP, unframed

Claudia Terstappen

‘Turtle Dreaming’, 2002, gelatine silver print, mounted onto aluminium, framed, 127 x 127 cm, edition of 8 + 2 AP

Lucas Davidson

‘Invisible Centre’, 2019, pigment print, 78 x 109 cm, unique work

Katie West

‘Yuwarda (build a fire in a shallow depression)’, no. 1, 2019, silk, natural dyes (eucalyptus, corymbia and acacia), 129 x 121cm

Clément Cogitore

‘Braguino #9 (Taïga)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Armando Chant

‘Diptych IV (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Dani Marti

‘Pointless, salt pink’, 2022, customised reflectors on aluminium, 116cm diameter x 25cm deep

Clemens Krauss

‘Occurrence’, 2017, Video8 transferred to DV, 4 minutes, sound, edition of 3+1 AP

Catherine O’Donnell

‘Golden House Series: House 3’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Lucas Davidson

‘Resting place’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Jon Cattapan

‘Ear of Dionysius 12’, 2023, oil and acrylic on Belgian linen, 110 x 90cm

Tina Havelock Stevens

‘A Burst of Boiling Rage’, 2021-2022, Rug (designed with Elliott Bryce Foulkes), 100% NZ wool rug, 220 x 220cm

Lucas Davidson

‘From Nothing to Nothing’, 2019, pigment print, 78 x 109 cm, unique work

Lottie Consalvo

‘The Stars Held The Moon’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Clemens Krauss

‘Biotope’, from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Meng-Yu Yan

‘Fontaine de Jouvence’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Lottie Consalvo

‘From the Lake II’, 2020, acrylic and enamel on board, 110 x 80 cm

Isidro Blasco

‘Yellow’, 2016, C-print, wood, museum board, 38 x 15 x 8 cm

Meng-Yu Yan

‘Rocher des Faux-Amants I’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Isidro Blasco

‘The Goddess II’, 2013, C-print on museum board, wood and hardware, 12 x 24 x 8cm

Claudia Terstappen

‘Gewürm auf Hocker (Worm architecture on stool)’, 2021, wood stand, 107 cm high, glazed ceramic, ca. 53 x 34 x 37 cm

Clemens Krauss

‘Trophy’, 2015, oil on canvas, 110 x 70 cm

Clemens Krauss

Konstellation #1399′, 2015, oil on canvas, 60 x 40 cm

Armando Chant

‘Vallée de Vénéon II’, 2022, hand embroidered linen canvas with graphite wash on stretched canvas, 160 x 183cm, created in collaboration with master embroiderers

Clemens Krauss

‘Wired’, from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Gary Deirmendjian

Gary Diermendjian, ‘presence’, 2018, single channel silent video, 10:00 mins, edition of 9 + 1AP

Emma Fielden

‘DARK MATTER II’, 2016, iron oxide pigment and neodymium magnets on white primed linen and steel, 33 x 33 cm

Peta Clancy

‘Confluence 1’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Claudia Terstappen

‘Sticks and balls’, 2022, glazed ceramics, 40 x 37 x 12 cm

Locust Jones

into that good night’, 2015, ink on paper, 80×120 cm

Lottie Consalvo

‘Before The Fall I’, 2022, plaster, hessian and wood, 110 x 60 x 80 cm ca.

Claudia Terstappen

‘Longing’, 2021, glazed ceramic, ca. 50 x 22 x 18 cm

Catherine O’Donnell

‘Cité Spinoza, Paris’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Elger Esser

‘Seacliff’, USA, 2007, Epson UltraChrome K3 ink on Arches Infinity Smooth 355 gsm, 110 x 144 cm, edition 5/10 + 3AP

Elger Esser

‘Perros-Guirec’, 2003, C-Print, Diasec Face, 184 x 138 x 5 cm, framed, edition 7/7 + 1AP

Jon Cattapan

‘Close Dissolve’, oil and acrylic on Belgian Linen, 2022-3, 140 x 140 cm

Locust Jones

‘Market Forces’, 2022, mixed media, 56 x 76 cm, framed

Peter Hoffer

‘Valée’, 2022, acrylic, oil and epoxy on board, 86 x 62 cm

Clément Cogitore

‘Digital Desert #1’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, edition 3/5

Claudia Terstappen

‘Lingering’, 2022, glazed ceramic, ca. 39 x 30cm, wood plinth, ca. 21 x 22 x 23 cm

Jon Cattapan

‘The Bells’, 2023, oil and acrylic on Belgian linen, 185 x 240cm

Lottie Consalvo

‘Adored’, 2021, acrylic on board, framed, 67 x 57 cm

Clemens Krauss

‘Noise’ from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Gregor Schneider

‘WEISSE FOLTER Düsseldorf’, 2007, BLU-RAY, 20:04 min., 3/6

Peter Hoffer

‘Colonial’, 2022, acrylic, oil and epoxy on board, 122 x 63 cm

Locust Jones

‘The ancient universe’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Andrew Rogers

‘I Believe I’, 2021, bronze and stainless steel, 159 x 48 x 44 cm

Kei Takemura

‘Renovated glass (with hand picture of fighting)’, 2015, glass, Italian synthetic cloth, Japanese silk thread, 13H x 7D cm

Peter Hoffer

‘Hawthorne’, 2023, acrylic and epoxy on board, 35 x 30 cm

Dani Marti

‘Camps Abrusats’ from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Clemens Krauss

‘Private Logic’, 2015, oil on canvas, 60 cm x 91 cm

Tim Johnson

‘Leadbelly 2’, 2020, acrylic on linen, 20 x 25 cm

Dani Marti

‘The Story of I am (notes in blue and green)’, 2016, polyester, nylon and leather on aluminium frame, 60 x 60 x 7 cm

Clemens Krauss

‘Rainy Season’ (from the series ‘2017-2021’), 2020, acrylic on paper, framed, 36 x 17cm

Clément Cogitore

‘Digital Desert #3’, 2015, 120 x 170cm, faceMount Acrylic, C-Print, edition of 5 + 2 AP, edition 2/5

Clemens Krauss

‘Remaining Silent 2’, 2013, acrylic on board, 24 x 30 cm

Gary Deirmendjian

Gary Deirmendjian, ‘kouros – cold power’, 2014-16, salvaged non-organic rubbish; resin & other media, 195 x 60 x 65cm

Dani Marti

‘Red Squares’, from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Tina Havelock Stevens

‘Tonal Castle’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Lottie Consalvo

‘Knowledge and the Ghost in the Light’, 2021, acrylic on linen, 122 x 183 cm

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Meng-Yu Yan

‘Morgan’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 119 x 68cm

Lottie Consalvo

‘The Hold’, 2020, acrylic and enamel on board, 110 x 80 cm

Lottie Consalvo

‘Holding Great Falls, 2020, acrylic on board, 80 x 111 cm

Liam Garstang

There’ll Be No More Shepherds’ Number 3, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Kei Takemura

‘Renovated three girls’, 2013, ceramic doll, Italian synthetic cloth, Japanese silk thread, 10 x 4 x 4 cm

Clemens Krauss

‘Non-linear Strangers to Ourselves’, 2015, oil on canvas, 90 cm x 131 cm

Lucas Davidson

‘Let’s keep this between you and me’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Claudia Terstappen

‘Melancholia’, 2022, glazed ceramic, ca. 20 x 23 x 11 cm

Locust Jones

‘Poolside with miners’, 2023, colour pencil, oilbar on stonehenge paper, 76 x 56 cm, unframed

Tim Johnson

‘Thredbo Buddha’, 2022, acrylic on linen, 50 x 60 cm

Lucas Davidson

‘Anticipation Machine’, 2017, acrylic mirror, 190 x 70 x 70 cm, edition of 1 + 1 a.p.

Catherine O’Donnell

‘Cité Spinoza, Paris #7’, 2018, pencil on paper, 46.5 x 36.5 cm, framed with museum glass

Lottie Consalvo

‘And the moon looked back’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Kei Takemura

‘Renovated orange glass’, 2014, Italian synthetic cloth, glass, Japanese silk thread, 8H x 7D cm

Isidro Blasco

‘Model 2’, 2016, C-print, wood, museum board, 25 x 25 x 5 cm

Kei Takemura

‘The time to stop 3’, 2014, paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45x61cm

Tim Johnson

‘Buddha Within’, 2022, acrylic on linen, 92 x 123 cm

Claudia Terstappen

‘New love‘, 2019, glazed ceramic, 45 x 38 x 30 cm

Kei Takemura

‘Green light bulb’, 2015, light bulb, Italian synthetic cloth, Japanese silk thread, 8H x 8D cm

Nidhal Chamekh

‘Le Battement des Ailes N°19’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Elger Esser

‘Le Grande Roches’, France, 2011, C-Print, DiaSec Face, 130 x 180 x 5 cm, edition of 7 + 1AP

Tim Johnson

‘Son House’, 2022, acrylic on linen, 20 x 25 cm

Elger Esser

‘Tombelaine III’, 2018, Direktprint on silver copper plate, shellac, 26.5 x 34 x 4 cm, edition of 3 + 1AP

Piers Greville

‘Off planet’, 2022, oil on linen, 182 x 122 cm

Claudia Terstappen

‘Large orange’, 2021, glazed ceramic, ca. 50 x 40 x 26 cm

Lottie Consalvo

‘In Centre’, 2021, acrylic on board, framed, 67 x 57 cm

Clemens Krauss

‘Subtitle 1’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Gary Deirmendjian

Gary Deirmendjian, ‘peel back’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Jon Cattapan

‘Continuing Ledge V3 (Blank Generation)’, 2023, oil and acrylic on Belgian Linen, 184 x 212 cm

Tim Johnson

‘High Plains Drifter’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Isidro Blasco

‘Subway 1’, 2016, C-print, wood, museum board, 38 x 15 x 8 cm

Jon Cattapan

‘Masked Group (Figure) LXVI’, Monoprint series, 2014, 40 x 40 cm, framed

Katie West

‘Shells and shadow’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Clemens Krauss

‘Venture / Adventure I’, 2022, oil on canvas, 110 x 90 cm

Peter Hoffer

‘Near Margaret River’, 2023, acrylic and epoxy on board, 40 x 153 cm

Isidro Blasco

‘QVB’, 2013, C-print on museum board, wood and hardware, 80 x 125 x 21cm

Dani Marti

‘Dust (Blue)’, 2020, customised corner reflectors, 42 x 42cm

Tim Johnson

‘Sighting’ (with Daniel Bogunovic), 2021, acrylic on linen, 77 x 120 cm

Piers Greville

‘Objects In The Mirror (Byadbo Study B)’, 2023, oil on canvas, 71 x 51 cm

Kei Takemura

The Time to Stop 2′, 2014, Paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45 x 61cm

Anne Zahalka

‘The Sunbather #2’, 1989, type C photographic print, 93 x 93 cm, framed, edition of 20 + 1AP

Em Ingram-Shute

‘Elevated Act’ (5), 2020, archival pigment print on German etching Hahnemühle paper, 73 x 94 cm framed, edition of 5 + 1 AP

John Beard

‘Uluru 2’, 2002, watercolour on arches paper, 50 x 79 cm, unframed

Clemens Krauss

Clemens Krauss ‘Exophthalmus (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 29 x 36 cm

Clemens Krauss

‘Untitled (Reveal and observe)‘, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Locust Jones

‘October 2023’, 2023, ink and colour pencil on stonehenge paper, 128 x 770 cm, unframed

Peter Hoffer

‘Birches’, 2023, acrylic and epoxy on board, 35 x 30 cm

Jon Cattapan

‘Two Sentient Study IV’, 2018, 3D print, framed, 37 x 44cm, edition of 5 + 1 A.P

Giacomo Costa

‘atmosfera n.12’, 2019, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 177 cm, edition of 1

Katie West

‘Sand markings’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Tina Havelock Stevens

‘Glen Callater In-Between’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Gary Deirmendjian

Gary Deirmendjian, ‘child 259’, 2015, non-organic salvaged rubbish, treated mannequin torso, 55 x 30 x 19 cm

Jon Cattapan

‘Ear of Dionysius 11’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Clemens Krauss

‘Retinal vs. Critical’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Peta Clancy

‘Undercurrent’ (6), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Dani Marti

‘Shield #2’, 2020, polyester and polypropylene rope on polished aluminium frame, 100 x 55 x 35 cm

Liam Garstang

‘There’ll Be No More Shepherds’ Number 13, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Gary Deirmendjian

Gary Deirmendijan, ‘promise’, 2018, 24 carat gilding and resin on glazed ceramic, glaze, 20 x 21 x 17 cm

Meng-Yu Yan

‘Miroir aux Fees’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Jon Cattapan

‘Ear of Dionysius 9’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Gary Deirmendjian

Gary Deirmendjian, ‘ECG tablet’, 2010, polystyrene, perspex box, 123 x 25 x 13 cm

Lucas Davidson

‘Body Emulsion Duality’, 2018, single-channel video, 16:18 minutes, edition 3 + 1 a.p.

Lottie Consalvo

‘It Was As Silent As This’, 2022, acrylic on board, 120 x 200 cm

Kei Takemura

‘Renovated K.K’s Flower Dish’, 2014, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 4H x 9D cm

Locust Jones

‘Hanging out under the stars’, 2023, ink and colour pencil on stonehenge paper, 61 x 81 cm, framed

Dani Marti

‘Pointless (verds amuntegats)’, 2022, customised reflectors on aluminium, 110cm diameter x 28cm deep

Clemens Krauss

Elternhaus/ Parental Home, 3:30 min video loop, edition of 5, 2008

Clément Cogitore

‘Digital Desert, Diptych #4 (detail #7)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Locust Jones

‘Covid 19, six weeks in the life of a global pandemic from March 9 to April 20 and the mass media and states of Hysteria that accompanied this time’, 2020, ink and pencil on paper, 154 x 1000 cm

Jon Cattapan

‘Ear of Dionysius 4’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Isidro Blasco

‘Opera’, 2013, C-print on museum board, wood and hardware, 38 x 78 x 9cm

Elger Esser

‘Etang du Bateguier IV’, 2020, C-Print, Diasec Face, 244 x 184 x 5 cm, framed, edition 3/7 + 1AP

Lottie Consalvo

‘Landscape IV’, 2022, acrylic and river pebbles on board, 60 x 70 cm

John Beard

‘The Land’s End II’, 1998, screen print on paper mounted onto aluminium, 7 panels, 76 x 76 cm each

Clemens Krauss

‘Remaining Silent 7’, 2013, acrylic on board, 13 x 18 cm

Peta Clancy

‘Confluence 5’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Lottie Consalvo

‘Rewilding The Mystic’, 2021, acrylic on linen, 122 x 183 cm

Locust Jones

‘The Rhino Cutters’, 2012, Linocut, Somerset Soft White 300 gsm, 65cm x 60 cm (unframed size), edition of 7

Peta Clancy

‘Fissures In Time 1’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Tim Johnson

‘Two Bob Jungarai’, 2020, acrylic on canvas, 41 x 66 cm

Elger Esser

‘Brest’, 2019, Mixed Media: Copper Plate, Direct print, Shellac, 54 x 39 x 4 cm, framed, edition 2/3 + 1AP

Clemens Krauss

‘The remotest remoteness ever imagined‘, 2022, acrylic on hand-made paper, 21 x 30 cm

Gary Deirmendjian

Gary Deirmendjian, ‘still life – i’, 2005, Duraluxe sublimation aluminium, 30 x 21 cm, edition of 7 + 1A.P.

Armando Chant

‘Palimpsest V (Valle de Veneon)’, 2022, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, wooden shelf, 42 x 65cm, created in collaboration with master embroiderers Rajat Jain (coordinator) , Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Clemens Krauss

‘Safety First’ from the series ‘The Untraceability’, 2015, acrylic on board

Claudia Terstappen

‘Dangling thoughts’, 2021, glazed ceramics, size variable, ca. 40 x 20 x 13 cm

Katie West

wilayi bangarrii (go for a walk) 1/6, calico, natural dyes (eucalyptus, corymbia and acacia), 97cm x 98cm

Kei Takemura

‘Renovated soup plate for kids’, 2012, ceramic dish, Italian synthetic cloth, Japanese silk thread, 3H x 18D cm

Tim Johnson

‘Citipati’ (with Daniel Bogunovic), 2020, acrylic on canvas, 183 x 152 cm

Katie West

‘Sheep yard shadows’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Tina Havelock Stevens

‘Sticky’, 2013, used THS sticks (created together with Elvis Richardson), pewter, edition of 5 + 1 A.P.

Meng-Yu Yan

‘Untitled (Xue)’, 2022, print on Ilford Metallic Gloss, 67 x 44cm, 1/7 + 2AP

Dani Marti

‘Between’ (H2/3-60), 2020, polyester and polypropylene rope on polished aluminium frame, 65 x 65 x 11cm

Isidro Blasco

‘Bridge in Rio’, 2017, C-print, wood, museum board, 36 x 18 x 8 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #4’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Elger Esser

‘Pointe du Bateguier’, 2020, Mixed Media: Copper Plate, Direct print, Shellac, 58 x 42 x 4 cm, edition 1/3 + 1AP

Andrew Rogers

‘I Believe II’, 2021, bronze and stainless steel, 181 x 44 x 39 cm

Kei Takemura

‘Renovated teacup (Rosenthal white)’, 2014, ceramic cup, Italian synthetic cloth, Japanese silk thread, 10H x 4D

Katie West

‘wanyaarri (listen)’ no.1, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 107 x 98 cm

Clément Cogitore

‘Digital Desert, Diptych #1 (detail #2)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Peta Clancy

‘Deep time and now 3’ from the ‘Confluence’ series, 2022, pigment inkjet print, 41 x 57 cm, edition of 5 + 1 AP

Giacomo Costa

‘atmosfera n.22’, 2020, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 100 cm, edition of 1

Jon Cattapan

‘Blue Ruins’, 2023, oil and acrylic on Belgian linen, 185 x 240cm

Clemens Krauss

‘Transmission’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Clemens Krauss

‘Remaining Silent 4’, 2013, acrylic on board, 13 x 18cm

Katie West

yuwarda (build a fire in a shallow depression) 1/4, Silk, natural dyes (eucalyptus, corymbia and acacia), 128cm x 132cm

Clément Cogitore

‘Braguino #6 (Forest hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Claudia Terstappen

‘Yellow wave’, 2022, glazed ceramic, ca. 40 x 27 x 18 cm, steel rod, 150 x Ø 2 cm

Kei Takemura

‘Renovated light bulb yellow’, 2012, light bulb, Italian synthetic cloth, Japanese silk thread, 7H x 4D cm

Dani Marti

‘Fool’s Paradise (Arrangement in mild roses, lies and steel)’, 2016, customised corner cube reflectors, glass beads on powder coated aluminium frame, 115 x 115 x 11 cm

Kei Takemura

‘Renovated flame glass’, 2015, glass, Italian synthetic cloth, Japanese silk thread, 8H x 8D cm

Nidhal Chamekh

‘Untitled 2’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Peta Clancy

‘Confluence 8’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Gary Deirmendjian

Gary Deirmendjian, ‘I walked by a man’, 2005, Duraluxe sublimation aluminium,32 x 42 cm, edition of 7 + 1A.P.

Tim Johnson

‘New Thredbo’, 2022, acrylic on linen, 75 x 100 cm

Gary Deirmendjian

Gary Deirmendjian, ‘by my dead leaves’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Jon Cattapan

‘Ear of Dionysius 2’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Locust Jones

‘The fishnets fell out first’, 2023, colour pencil on stonehenge paper, 81 x 61 cm, framed

Armando Chant

‘Mountain Horizon (Vallée de Vénéon)’, 2023, photographic digital print on 300gsm paper, graphite, wax, varnish, graphite stick, 87 x 36 cm

Kei Takemura

‘For E.K’, 2015, print on cotton, Japanese silk thread, German synthetic cloth, 364 x 284 cm

Meng-Yu Yan

‘Another Ruin II’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Kei Takemura

‘K.K.’s square dish’, 2007, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 15 x 15 x 4 cm

Isidro Blasco

Isidro Blasco, ‘Aerial Paris’, 2017, c-print, wood, museum board, 50 x 25 x 8 cm

Jon Cattapan

‘Diptych 5’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Peter Hoffer

‘Eucalyptus II’, 2023, acrylic and epoxy on board, 30 x 35 cm

Gary Deirmendjian

Gary Deirmendjian, ‘the warmth had passed’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Katie West

‘Harsh shadow shells’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Tim Johnson

‘Lonnie Johnson’, 2022, acrylic on canvas, 20 x 25 cm

Elger Esser

‘Wentworth Point #4’, 2015, 100 x 120 cm, Hahnemühle Ultrasmooth 100 cotton rag, edition of 7 + 1 a.p.

Catherine O’Donnell

‘High Rise #1’, 2023, charcoal and graphite on paper, 102 x 33 cm, unframed

Jon Cattapan

‘Ear of Dionysius 6’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Isidro Blasco

‘New York Planet’, 2017, C-print, wood, museum board, 60 x 60 x 20 cm

Gary Deirmendjian

Gary Deirmendjian, ‘sediment true’, 2009, giclée print,archival inks & paper, 40 x 58 cm, edition of 7 + 1 A.P

Lottie Consalvo

‘A Holding Fall’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

John Beard

‘Harbour 8’, 2021, oil and wax on linen, 51 x 69 cm

Jon Cattapan

‘Stargirl’, 2019, oil and acrylic on linen, 185 x 250cm

Meng-Yu Yan

‘Golden Shadow’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 68cm 

Lottie Consalvo

‘The Loss of Awe’, 2021, acrylic on board, 120 x 180 cm

Clemens Krauss

‘Self portrait as a child’, 2017, silicone, oil, own hair, mixed media, dimensions variable

Tim Johnson

‘Little Big Horn 2’, 1989, acrylic on linen, 60 x 80 cm

Piers Greville

‘Spielzeug schema’, 2022, oil on linen, 182 x 122 cm

Piers Greville

‘Datum gelidae [Given the cold]’, 2023, oil on linen, three panels, 276 x 122 cm overall

Kei Takemura

‘Renovated eco-light bulb’, 2014, light bulb, Italian synthetic cloth, Japanese silk thread, 15 H x 5D cm

Tim Johnson

‘Hasta La Vista’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Katie West

‘wanyaarri (listen)’ no. 3, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 98 x 107 cm

Lottie Consalvo

‘Do You Remember the Trees’, 2022, acrylic and river pebbles on board, 100 x 120cm, unframed

Jon Cattapan

‘Diptych 9’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Claudia Terstappen

‘Oberflächenspannung (surface tension)‘, 2021, glazed ceramic, ca. 39 x 33 x 3 cm, wood plinth, ca. 28 x 24 x 12 cm

Peter Hoffer

‘Winton’, 2023, acrylic and epoxy on board, 98 x 81 cm

Kei Takemura

The Time to Stop 1′, 2014, Paper, drawings with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45 x 61cm

John Beard

‘Harbour 7’, 2021, oil and wax on linen, 51 x 69 cm

Jon Cattapan

‘Mountain (Needles)’, 2022, oil and acrylic on Belgian linen, 185 x 240cm

Clemens Krauss

‘Open (Chess)’, 2010, 110 x 190 cm

Helen Pynor

Liquid Ground 4′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Katie West

‘Water curls’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Clemens Krauss

‘Venture / Adventure II’, 2022, oil on canvas, 110 x 90 cm

Meng-Yu Yan

‘Untitled (Val sans retour)’, 2022, print on Ilford Metallic Gloss, 44 x 44cm, 1/7 + 2AP

Tim Johnson

‘Red Alert’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Dani Marti

‘Red on Red’, 2018, polymer, acrylic, glass, steel, free standing, three sections, 185 x 125 x 15cm each

Meng-Yu Yan

‘Another Ruin I’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Locust Jones

‘Canary in the coalmine’, 2023, coloured pencil on stonehenge paper, 81 x 61 cm, framed

Dani Marti

‘Dust (Dark Purple)’, 2020, customised corner reflectors, 60 x 60 cm, side view

Kei Takemura

‘The accident 2’, 2014, model lighthouse, model aeroplane, Italian synthetic cloth, Japanese silk thread, 21H x 11D cm

Piers Greville

‘Lerderderg (Study for Mirror Object)’, 2020, oil on canvas, 51 x 71cm

Catherine O’Donnell

‘Sunday’s shadow’, 2023, charcoal on paper, 27 x 98 cm, unframed

Kei Takemura

‘Blue moon plate’, 2004, ceramic plate, Italian synthetic cloth, Japanese silk thread, 2H x 11D

Nidhal Chamekh

‘Untitled 2’, lithographs on watercolour paper, 23 x 31 cm, edition of 50

Tina Havelock Stevens

‘Binocular Timbre, Richmond River’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Peta Clancy

‘Deep time and now 1’ from the ‘Confluence’ series, 2022, pigment inkjet print, 41 x 53 cm, edition of 5 + 1 AP 

Locust Jones

‘Living on the moon’, 2023, coloured pencil on stonehenge paper, 81 x 61 cm, framed

Claudia Terstappen

‘Extravagancia’, 2022, glazed ceramic, glue, 40 x 27 x 20 cm, wooden stand, 28 x 20 x 22 cm, 40 x 43 x 30cm together

Em Ingram-Shute

‘Elevated Act’ (3), 2020, archival pigment print on German etching Hahnemühle paper, 39 x 50cm, edition of 5 + 1 AP

Jon Cattapan

‘Ear of Dionysius 13’, 2022-23, oil and acrylic on Belgian linen, 110 x 90cm

Locust Jones

‘Nexus’, 2023, acrylic ink , pigment on stonehenge paper, 128 x 128 cm, unframed

Clemens Krauss

‘Occurrence’, 2022, acrylic on hand-made paper, 21 x 30 cm

Clément Cogitore

‘Digital Desert, Diptych #2 (detail #4)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Locust Jones

‘Our world’, 2016, ink on paper, 101 x 65 cm

Tim Johnson

‘Blues Singers’, 2021, set of 25 canvases, ca. 50 x 50 cm overall: or 10 x 10 cm each

Catherine O’Donnell

‘Waiting for the world to reopen’, 2022, charcoal on paper, 80 x 106 cm, unframed

Jon Cattapan

‘Double Red Study’, 2021, acrylic and oil on linen, 90 x 102 cm

Locust Jones

’Tower 4’, ceramic and paint, 14.5 x 14.5 x 75 cm

Dani Marti

‘Dust (Pink)’, 2020, customised corner reflectors, 42 x 42cm

Tim Johnson

‘8th Karmapa’, 2022, acrylic on linen, 40 x 50 cm

Dani Marti

‘Composition in Pink and Red’, 2018, polyester and aluminium, 172 x 172 x 8cm

Nidhal Chamekh

‘Le Battement des Ailes N°2’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Tim Johnson

‘Medicine Buddha’, 2022, acrylic on linen, 50 x 60 cm

Nidhal Chamekh

‘Le Battement des Ailes N°7’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Tim Johnson

‘Zodiac’, 2022, acrylic on linen, 76 x 55 cm

Nidhal Chamekh

‘Untitled 1’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Jon Cattapan

‘Two Sentient Study III, 2018, 3D print, framed, 37 x 44 cm, edition of 5 + 1 A.P

Lottie Consalvo

‘The Moon Fell and Nothing Happened (In Dreams)’, 2020, acrylic on board, 90 x 80 cm

Emma Fielden

‘A neuron in a human brain fires on impulse then returns to rest’ from the series ‘Of a Second’, 2022, pen and ink on 638gsm Saunders Waterford paper, 30 x 30 cm, set of 10 drawings

Kei Takemura

‘Renovated coffee cup’, 2013, ceramic cup, Italian synthetic cloth, Japanese silk thread, 7H x 8D cm

Tim Johnson

‘High Country’, 2022, acrylic on linen, 91 x 122 cm

Elger Esser

‘Pouldouran’, 2018, Direktprint on silver copper plate, shellac, 26.5 x 34 x 4 cm, edition of 3 + 1AP

Lucas Davidson

‘Rise like Smoke’, 2019, pigment print, 78 x 109cm, unique work

Tina Havelock Stevens

‘Land’s End Composition’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Catherine O’Donnell

‘Cité Spinoza, Paris #2’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Meng-Yu Yan

‘Black Jade’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Kei Takemura

‘Glass blue/yellow’, 2008, wine glass, Italian synthetic cloth, Japanese silk thread, 25H x 8D cm

Locust Jones

‘Back in time’, 2023, acrylic ink on stonehenge paper, 136 x 150 cm, framed

Isidro Blasco

‘Street Table’, 2009, c-print, museum board, wood, 20 x 18 x 15cm

Peta Clancy

‘Undercurrent’ (5), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Lottie Consalvo

‘A Distant Song 2’, 2019, acrylic on board, 90cm x 80cm

Katie West

‘Shoulder ripples’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Catherine O’Donnell

‘Cité Spinoza, Paris #6’, 2018, pencil on paper, 46.5 x 36.5 cm, framed with museum glass

Locust Jones

’Victor Bout, Anonymous’, 2012-13, dry glazed ceramic, 35 diameter cm

Lucas Davidson

‘Social Construct’, 2018, acrylic mirror, approx. 190 x 30 cm

Clemens Krauss

Clemens Krauss ‘Observation’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, 39 x 56 cm

Kei Takemura

‘The things to renovate 2 in P.City’, 2014, 80 x 100 cm, Paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread

Kei Takemura

‘Renovated glass with two line’, 2015, wine glass, Italian synthetic cloth, Japanese silk thread, 30L x 8D cm

Tina Havelock Stevens

‘Alstonville Falling’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Ellen Dahl

‘Field notes from the edge #12 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

Clément Cogitore

‘Braguino #8 (Coypu)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Dani Marti

‘Joc de mots en rosa joganera – take 3’, 2022, polyester and polypropylene rope on polished aluminium frame, 47 x 47 x 6cm

Clemens Krauss

‘Remaining Silent 6’, 2013, acrylic on board, 24 x 30 cm

Clément Cogitore

‘Digital Desert, Diptych #4 (detail #8)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Tina Havelock Stevens

‘Hobart Vibrational’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

John Beard

‘Harbour 10’, 2021, oil and wax on linen, 51 x 69 cm

Dani Marti

‘Composition in Orange and Blue’, 2018, polyester and aluminium, 172 x 172 x 8cm

Clemens Krauss

‘Subtitle 10’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Katie West

‘Ocean’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Peter Hoffer

‘Yates’, 2023, acrylic and epoxy on board, 72 x 153 cm

Locust Jones

‘Methods of power’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 136 cm, framed

Kei Takemura

‘Renovated buildings GUTANNAHME-ESSO’, 2014, broken German model buildings, Italian synthetic cloth, Japanese silk thread, 25 x 15 x 19 cm

Tim Johnson

‘Modificado 2’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Gary Deirmendjian

Gary Deirmendjian, ‘falling’, 2009, giclée print, 80 x 58 cm, edition of 7 + 1AP

Lottie Consalvo

‘From Here 14’, 2019, acrylic on board, 30 x 30 cm

Claudia Terstappen

‘Red spiral‘, 2019, glazed ceramic, 36 x 25 x 12 cm

Locust Jones

‘Wuhan Diary’, 2020, mixed media on translucent film with face-mounted photographic image on acrylic in framed light box, 80 x 140 x 11 cm

Catherine O’Donnell

‘Suburban Fibro Series #5’, 2020, balsa wood and mixed media, 9.5 x 26 x 2.5cm

Em Ingram-Shute

‘Elevated Act’ (1), 2020, archival pigment print on German etching Hahnemühle paper, 50 x 63cm, edition of 5 + 1 AP

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