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Stockroom

The Dominik Mersch Gallery stockroom offers a curated selection of important works by each of our artists. This page offers a streamlined way to collect top-tier works, bringing art straight from the gallery to your doorstep.

To enquire about all available artworks by an artist, please contact the gallery on [email protected] or Dominik on 0423 300 802. Please contact us for shipping options.


Lottie Consalvo

‘From Here 14’, 2019, acrylic on board, 30 x 30 cm

Meng-Yu Yan

‘Jardin aux Moines’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 80 x 119cm

Katie West

‘Shells and shadow’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Lucas Davidson

‘Incompleteness Theorem’, 2017, pigment print, 90 x 60 cm, edition of 3 + 1 a.p.

Meng-Yu Yan

‘Black Jade’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Jon Cattapan

‘Ear of Dionysius 7’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

John Beard

‘Uluru 2’, 2002, watercolour on arches paper, 50 x 79 cm, unframed

Tim Johnson

‘Serial Donut 2’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Catherine O’Donnell

‘Afternoon Reflections’, 2023, charcoal on paper, 50 x 72 cm, unframed

Dani Marti

‘Composition in Pink and Red’, 2018, polyester and aluminium, 172 x 172 x 8cm

Peter Hoffer

‘Hawthorne’, 2023, acrylic and epoxy on board, 35 x 30 cm

Peter Hoffer

‘Midi’, 2023, acrylic and epoxy on board, 122 x 91 cm

Peta Clancy

‘Confluence 5’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Kei Takemura

‘Renovated eco-light bulb’, 2014, light bulb, Italian synthetic cloth, Japanese silk thread, 15 H x 5D cm

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Nidhal Chamekh

‘Le Battement des Ailes N°6’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Gary Deirmendjian

Gary Deirmendjian, ‘the warmth had passed’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Gregor Schneider

‘WEISSE FOLTER Düsseldorf’, 2007, BLU-RAY, 20:04 min., 3/6

Meng-Yu Yan

‘Miroir aux Fees’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Jon Cattapan

‘Ear of Dionysius 8’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

John Beard

‘The Land’s End II’, 1998, screen print on paper mounted onto aluminium, 7 panels, 76 x 76 cm each

Dani Marti

‘Dust (Purple)’, 2020, customised corner reflectors, 42 x 42cm

Claudia Terstappen

‘Surprise’, 2021, glazed ceramic, ca. Ø 15 x 21cm, wood plinth, ca. 28 x 25 cm

Nidhal Chamekh

‘Le Battement des Ailes N°8’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Dani Marti

‘Joc de mots en rosa joganera – take 2’, 2022, polyester and polypropylene rope on polished aluminium frame, 47 x 47 x 6cm

Lucas Davidson

‘Learning to let go’, 2022, vinyl, 360 x 770 cm

Clemens Krauss

‘Comfort is grace’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Clément Cogitore

‘Digital Desert, Diptych #3 (detail #6)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Lucas Davidson

‘Social Construct’, 2018, acrylic mirror, approx. 190 x 30 cm

Dani Marti

‘The secret life of tweens’, 2007, polyester, nylon and leather on wood, 185 x 200 x 8cm

Dani Marti

‘Camps Abrusats’ from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Clemens Krauss

‘Rainy Season’ (from the series ‘2017-2021’), 2020, acrylic on paper, framed, 36 x 17cm

Clemens Krauss

‘Autoplastic’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Kei Takemura

‘Glass blue/yellow’, 2008, wine glass, Italian synthetic cloth, Japanese silk thread, 25H x 8D cm

Isidro Blasco

Isidro Blasco, ‘Aerial Paris’, 2017, c-print, wood, museum board, 50 x 25 x 8 cm

Dani Marti

‘Joc de mots en rosa joganera – take 3’, 2022, polyester and polypropylene rope on polished aluminium frame, 47 x 47 x 6cm

Tim Johnson

‘Hasta La Vista’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Dani Marti

‘DuST – Long Pink Square’, 2021, customised reflectors on powder coated aluminium frame, 181 x 121 x 4.5cm

Tim Johnson

‘Thredbo Buddha’, 2022, acrylic on linen, 50 x 60 cm

Kei Takemura

‘Renovated Greece flower vase’, 2014, ceramic vase, Italian synthetic cloth, Japanese silk thread, 17H x 7D cm

Piers Greville

‘Lerderderg (Study for Mirror Object)’, 2020, oil on canvas, 51 x 71cm

Isidro Blasco

‘Model 1’, 2016, c-print, wood, museum board, 40 x 20 x 5cm

Peter Hoffer

‘Scarlet II’, 2023, acrylic and epoxy on board, 60 x 60 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #3’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Gary Deirmendjian

Gary Deirmendjian,‘still life –iv’, 2005, Duraluxe sublimation aluminium,30 x 23 cm, edition of 7 + 1A.P.

Catherine O’Donnell

‘Exit #2’, 2023, charcoal on paper, 36 x 102 cm, unframed

Claudia Terstappen

‘Red spiral‘, 2019, glazed ceramic, 36 x 25 x 12 cm

Tina Havelock Stevens

‘Land’s End Composition’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Lottie Consalvo

‘A Seat Upon the Sky’, 2022, river pebbles and acrylic on board, 68 x 78 cm, framed

Lucas Davidson

‘I would follow the world for you’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Meng-Yu Yan

‘Rocher des Faux-Amants II’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 52 x 52cm 

Jon Cattapan

‘Constellation Group Study I’, 2018, 3D print, framed, 37 x 44 cm, edition of 5 + 1 A.P

Lottie Consalvo

‘The Stars Held The Moon’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Elger Esser

‘Seacliff’, USA, 2007, Epson UltraChrome K3 ink on Arches Infinity Smooth 355 gsm, 110 x 144 cm, edition 5/10 + 3AP

Locust Jones

‘Crackdown’, 2012, Linocut, Somerset Soft White 300gsm, 65cm x 60 cm (unframed size), edition of 7

Tina Havelock Stevens

‘Moonlit Tempo, Manly’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Katie West

yuwarda (build a fire in a shallow depression) 1/4, Silk, natural dyes (eucalyptus, corymbia and acacia), 128cm x 132cm

Locust Jones

‘One hundred days’, 2023, acrylic ink on paper, 136 x 136 cm, framed

Ellen Dahl

‘as Below so Above #5’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Lottie Consalvo

‘Rewilding The Mystic’, 2021, acrylic on linen, 122 x 183 cm

Dani Marti

‘Dust (Blue)’, 2020, customised corner reflectors, 42 x 42cm

Isidro Blasco

‘Opera’, 2013, C-print on museum board, wood and hardware, 38 x 78 x 9cm

Kei Takemura

‘Renovated glass with two line’, 2015, wine glass, Italian synthetic cloth, Japanese silk thread, 30L x 8D cm

Gary Deirmendjian

Gary Deirmendjian, ‘kouros – cold power’, 2014-16, salvaged non-organic rubbish; resin & other media, 195 x 60 x 65cm

Tina Havelock Stevens

‘Tonal Castle’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Peta Clancy

‘Confluence 8’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Meng-Yu Yan

‘Untitled (Val sans retour)’, 2022, print on Ilford Metallic Gloss, 44 x 44cm, 1/7 + 2AP

Locust Jones

’Tower 4’, ceramic and paint, 14.5 x 14.5 x 75 cm

Ellen Dahl

‘Field notes from the edge #12 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

Dani Marti

‘Dust (Yellow)’, 2020, customised corner reflectors, 42 x 42cm

Lucas Davidson

‘A Solely Internal Affair’, 2017, pigment print, 112 x 90 cm, edition of 3 + 1 a.p.

Locust Jones

into that good night’, 2015, ink on paper, 80×120 cm

Kei Takemura

‘Renovated orange glass’, 2014, Italian synthetic cloth, glass, Japanese silk thread, 8H x 7D cm

Jon Cattapan

‘Stargirl’, 2019, oil and acrylic on linen, 185 x 250cm

Anne Zahalka

‘The Sunbather #2’, 1989, type C photographic print, 93 x 93 cm, framed, edition of 20 + 1AP

Lucas Davidson

‘A place to call home’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Clemens Krauss

‘Biotope’, from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Clément Cogitore

‘Digital Desert, Diptych #1 (detail #2)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Lucas Davidson

‘Beginning with the end in mind’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Locust Jones

‘Dark energies’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Lottie Consalvo

‘From the Lake I’, 2020, acrylic and enamel on board, 84 x 122 cm

Peter Hoffer

‘Colonial’, 2022, acrylic, oil and epoxy on board, 122 x 63 cm

Claudia Terstappen

‘Found treasure’, 2021, glazed ceramic, ca. 46 x 11 x 11 cm

Kei Takemura

‘K.K.’s square dish’, 2007, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 15 x 15 x 4 cm

Tim Johnson

‘High Country’, 2022, acrylic on linen, 91 x 122 cm

Kei Takemura

‘Renovated glass (with hand picture of fighting)’, 2015, glass, Italian synthetic cloth, Japanese silk thread, 13H x 7D cm

Dani Marti

‘Pointless (verds amuntegats)’, 2022, customised reflectors on aluminium, 110cm diameter x 28cm deep

Jon Cattapan

‘The Bells’, 2023, oil and acrylic on Belgian linen, 185 x 240cm

Lottie Consalvo

‘Before The Fall II’, 2022, plaster, hessian and wood, 52 x 30 x 42 cm ca.

Lottie Consalvo

‘Adored’, 2021, acrylic on board, framed, 67 x 57 cm

Peta Clancy

‘Confluence 4’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Katie West

‘Shoulder ripples’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Meng-Yu Yan

‘Fontaine de Jouvence’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Kei Takemura

‘Renovated light’, 2010, Italian synthetic cloth, glass light, Japanese silk thread, 10H x 8D cm

Tim Johnson

‘Lonnie Johnson’, 2022, acrylic on canvas, 20 x 25 cm

Clément Cogitore

‘Digital Desert, Diptych #3 (detail #5)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Tina Havelock Stevens

‘Pier of Melodious Dreams, Brighton’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Gary Deirmendjian

Gary Deirmendjian, ’embedded … not’, 2010, giclée print, 60 x 80 cm, edition of 7 + 1 AP

Andrew Rogers

‘I Believe II’, 2021, bronze and stainless steel, 181 x 44 x 39 cm

Locust Jones

‘Back in time’, 2023, acrylic ink on stonehenge paper, 136 x 150 cm, framed

Locust Jones

‘Living on the moon’, 2023, coloured pencil on stonehenge paper, 81 x 61 cm, framed

Kei Takemura

‘Renovated K.K’s Flower Dish’, 2014, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 4H x 9D cm

Katie West

wilayi bangarrii (go for a walk) 1/6, calico, natural dyes (eucalyptus, corymbia and acacia), 97cm x 98cm

Lucas Davidson

‘Association Organ’, 2017, acrylic mirror, 190 x 62 x 31 cm, edition of 1 + 1 a.p.

Peta Clancy

‘Undercurrent’ (5), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Clemens Krauss

‘Subtitle 1’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Elger Esser

‘Pointe du Bateguier’, 2020, Mixed Media: Copper Plate, Direct print, Shellac, 58 x 42 x 4 cm, edition 1/3 + 1AP

Tim Johnson

‘Heruka’ (with Daniel Bogunovic), 2022, 3 panels overall 183 x 241 cm: or 183 x 60 cm each

Catherine O’Donnell

‘Cité Spinoza, Paris #7’, 2018, pencil on paper, 46.5 x 36.5 cm, framed with museum glass

Clemens Krauss

Clemens Krauss, ‘Zellen / Cells’, 2019, oil on canvas, 60 x 50 cm

Andrew Rogers

‘I Believe I’, 2021, bronze and stainless steel, 159 x 48 x 44 cm

Lucas Davidson

‘Field Study’, 2019, four-sided mirror boxes, dimensions variable

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Gary Deirmendjian

Gary Deirmendjian, ‘by my dead leaves’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Peta Clancy

‘Undercurrent’ (7), 2018-19, inkjet pigment print, 120 x 150 cm, edition of 5 + 1AP, unframed

Claudia Terstappen

‘Turtle Dreaming’, 2002, gelatine silver print, mounted onto aluminium, framed, 127 x 127 cm, edition of 8 + 2 AP

Peta Clancy

‘Confluence 7’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Dani Marti

‘Tension and contradiction – shattered vistas in green’, 2015, glass, jade, agate, quartz on aluminium frame, 60 x 60 x 12cm

Tim Johnson

‘8th Karmapa’, 2022, acrylic on linen, 40 x 50 cm

Locust Jones

’Victor Bout, Anonymous’, 2012-13, dry glazed ceramic, 35 diameter cm

Ellen Dahl

‘Field notes from the edge #9 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, custom made oak frame with museum glazing, 28 x 36 cm

Clemens Krauss

Untitled’, 2015, oil on canvas, 3 panels each 130 x 70 cm, display size ca. 130 x 230cm

Clemens Krauss

‘Trophy’, 2015, oil on canvas, 110 x 70 cm

Locust Jones

‘Nexus’, 2023, acrylic ink , pigment on stonehenge paper, 128 x 128 cm, unframed

Emma Fielden

‘DARK MATTER II’, 2016, iron oxide pigment and neodymium magnets on white primed linen and steel, 33 x 33 cm

Lottie Consalvo

‘A Distant Song 2’, 2019, acrylic on board, 90cm x 80cm

Isidro Blasco

‘Model 3’, 2016, C-print, wood, museum board, 25 x 25 x 5cm

Meng-Yu Yan

‘Golden Shadow’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 68cm 

Tim Johnson

‘Zodiac’, 2022, acrylic on linen, 76 x 55 cm

Em Ingram-Shute

‘Elevated Act’ (5), 2020, archival pigment print on German etching Hahnemühle paper, 73 x 94 cm framed, edition of 5 + 1 AP

Ellen Dahl

‘as Below so Above #4’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Dani Marti

‘Dust (Pink)’, 2020, customised corner reflectors, 42 x 42cm

Lottie Consalvo

‘From Here 9’, 2019, acrylic on board, 30 x 30 cm

Ellen Dahl

‘Field notes from the edge #10 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

Locust Jones

‘Market Forces’, 2022, mixed media, 56 x 76 cm, framed

Locust Jones

‘Covid 19, six weeks in the life of a global pandemic from March 9 to April 20 and the mass media and states of Hysteria that accompanied this time’, 2020, ink and pencil on paper, 154 x 1000 cm

Tina Havelock Stevens

‘The Synesthetic Portal, Corfe Castle’, 2022, pigment archival print on aluminium pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Peta Clancy

‘Undercurrent’ (1), 2018-19, inkjet pigment print, 150 x 106 cm, edition of 5 + 1AP, unframed

Jon Cattapan

‘Diptych 5’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Locust Jones

‘The Rhino Cutters’, 2012, Linocut, Somerset Soft White 300 gsm, 65cm x 60 cm (unframed size), edition of 7

Peta Clancy

‘Confluence 3’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Clemens Krauss

‘Remaining Silent 5’, 2013, acrylic on board, 13 x 18 cm

Clément Cogitore

‘Braguino #9 (Taïga)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Catherine O’Donnell

‘Suburban Fibro Series #10’, 2020, balsa wood and mixed media, 9.5 x 26 x 2.5cm

Lottie Consalvo

‘The Fictitious Imagery (2)’, 2019, acrylic on board, mounted onto black linen, 125 x 85 cm

Dani Marti

‘Dot – tirant lo blanc’, (green), 2022 customised reflectors on aluminium, 58 dia x 13cm depth

Kei Takemura

‘Hana No Iro’, 2015, print on cotton, Japanese silk thread, German synthetic cloth, 300 x 700 cm

Clemens Krauss

‘Venture / Adventure VI’, 2022, oil on canvas, 90 x 110 cm

Tim Johnson

‘Two Bob Jungarai’, 2020, acrylic on canvas, 41 x 66 cm

Clément Cogitore

‘Braguino #6 (Forest hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Clément Cogitore

‘Digital Desert, Diptych #2 (detail #4)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Dani Marti

‘The Pleasure Chest (Composition in White)’, 2015-2016, second hand necklaces and beads on powder coated aluminium frame, 190 x 260 x 9cm

Peter Hoffer

‘Nuytsia’, 2023, acrylic and epoxy on board, 122 x 91 cm

Claudia Terstappen

‘New love‘, 2019, glazed ceramic, 45 x 38 x 30 cm

Tina Havelock Stevens

‘Polyphonic Monaco’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Kei Takemura

The Time to Stop 1′, 2014, Paper, drawings with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45 x 61cm

Ellen Dahl

‘as Below so Above #8’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Lottie Consalvo

‘Rising Mountains’, 2020, acrylic on board, 100 x 120 cm

Lottie Consalvo

‘And the moon looked back’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Andrew Rogers

‘I Am p’, 2023, bronze and stainless steel, 100 x 43 x 42 cm 

Kei Takemura

‘Renovated leaves dish’, 2011, ceramic plate, Italian synthetic cloth, Japanese silk thread, 3H x 21H cm

Nidhal Chamekh

‘Le Battement des Ailes N°19’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Lucas Davidson

‘Let’s keep this between you and me’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Locust Jones

‘The fishnets fell out first’, 2023, colour pencil on stonehenge paper, 81 x 61 cm, framed

Meng-Yu Yan

‘Morgan’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 119 x 68cm

Andrew Rogers

‘I Believe IV’, 2022, bronze and stainless steel, 106 x 37 x 29 cm

Peter Hoffer

‘Near Margaret River’, 2023, acrylic and epoxy on board, 40 x 153 cm

Claudia Terstappen

Claudia Terstappen, ‘Petrol tower‘, 2019, glazed ceramic, 25 x 33 x 13 cm

Jon Cattapan

‘Blue Ruins’, 2023, oil and acrylic on Belgian linen, 185 x 240cm

Giacomo Costa

‘atmosfera n.12’, 2019, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 177 cm, edition of 1

Claudia Terstappen

‘Sticks and balls’, 2022, glazed ceramics, 40 x 37 x 12 cm

Clemens Krauss

Clemens Krauss ‘Exophthalmus (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 29 x 36 cm

Clément Cogitore

‘Digital Desert #2’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, Artist Proof 1/2

Kei Takemura

‘Renovated three girls’, 2013, ceramic doll, Italian synthetic cloth, Japanese silk thread, 10 x 4 x 4 cm

Catherine O’Donnell

‘Waiting for the world to reopen’, 2022, charcoal on paper, 80 x 106 cm, unframed

Peta Clancy

‘Deep time and now 1’ from the ‘Confluence’ series, 2022, pigment inkjet print, 41 x 53 cm, edition of 5 + 1 AP 

Clemens Krauss

‘Remaining Silent 6’, 2013, acrylic on board, 24 x 30 cm

Clemens Krauss

‘Sharing the drink‘, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Tina Havelock Stevens

‘The Key of Zig Zag’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Claudia Terstappen

‘Blaue Bänder’ (blue ribbons)’, 2020, glazed ceramic, ca. 45 x 24 x 4 cm

Catherine O’Donnell

‘Suburban Fibro Series #5’, 2020, balsa wood and mixed media, 9.5 x 26 x 2.5cm

Gary Deirmendjian

Gary Deirmendjian, ‘peel back’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 AP

Armando Chant

‘Diptych III (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Clemens Krauss

‘Remaining Silent 4’, 2013, acrylic on board, 13 x 18cm

John Beard

‘Harbour 1’, 2021, oil and wax on linen, 51 x 69 cm

Clemens Krauss

‘Remaining Silent 1’, 2013, acrylic on board, 24 x 30 cm

Jon Cattapan

‘Mountain (Needles)’, 2022, oil and acrylic on Belgian linen, 185 x 240cm

John Beard

‘THE RAFT – I’, 2017, digital print mounted onto Dibond, 120 x 119 cm

Kei Takemura

‘The time to stop 3’, 2014, paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45x61cm

Katie West

‘Yuwarda (build a fire in a shallow depression)’, no. 4, 2019, silk, natural dyes (eucalyptus, corymbia and acacia), 129 x 121cm

Elger Esser

‘Locquirec’, 2020, C-Print, Diasec Face, 98 x 77 x 4 cm, framed, edition 2/7 + 1AP

Clemens Krauss

‘Retinal vs. Critical’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Peter Hoffer

‘Yates’, 2023, acrylic and epoxy on board, 72 x 153 cm

Elger Esser

‘Seacliff II’, USA, 2007, C-Print & DiaSec Face, 180 x 236 cm, Edition 5/7

Claudia Terstappen

‘2 rings’, 2019, glazed ceramic, ca. 47 x 28 x 14 cm

Armando Chant

‘Vallée de Vénéon II’, 2022, hand embroidered linen canvas with graphite wash on stretched canvas, 160 x 183cm, created in collaboration with master embroiderers

Lottie Consalvo

‘The Moon Fell and Nothing Happened (But I couldn’t see the sea)’, 2020, acrylic on canvas, 90 x 80 cm

Tim Johnson

‘Tsong Kapa’, 2022, acrylic on linen, 50 x 60 cm

Katie West

‘Wet sand scratches’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Nidhal Chamekh

‘Untitled 2’, lithographs on watercolour paper, 23 x 31 cm, edition of 50

Claudia Terstappen

‘Alien creature’, 2021, glazed ceramic, ca. 54 x 28 x 16 cm

Gary Deirmendjian

Gary Deirmendjian, ‘wet capacity ii’, 2013, mixed media, 18 x 28 x 17 cm

Peta Clancy

‘Confluence 2’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Kei Takemura

‘Renovated soup plate for kids’, 2012, ceramic dish, Italian synthetic cloth, Japanese silk thread, 3H x 18D cm

Kei Takemura

‘The things to renovate 2 in P.City’, 2014, 80 x 100 cm, Paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread

Isidro Blasco

‘Yellow’, 2016, C-print, wood, museum board, 38 x 15 x 8 cm

Katie West

‘wanyaarri (listen)’ no. 2, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 98 x 107 cm

Tim Johnson

‘Modificado 2’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Clemens Krauss

‘Open (Chess)’, 2010, 110 x 190 cm

Tim Johnson

‘Red Alert’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Peta Clancy

‘Undercurrent’ (8), 2018-19, inkjet pigment print, 120 x 150 cm, edition of 5 + 1AP, unframed

Nidhal Chamekh

‘Le Battement des Ailes N°1 ’, 2019, inks and transfer on cotton paper. 23 x 30 cm, framed

Clemens Krauss

Konstellation #1399′, 2015, oil on canvas, 60 x 40 cm

Gary Deirmendjian

Gary Deirmendjian, ‘still life – i’, 2005, Duraluxe sublimation aluminium, 30 x 21 cm, edition of 7 + 1A.P.

Dani Marti

‘Shield #2’, 2020, polyester and polypropylene rope on polished aluminium frame, 100 x 55 x 35 cm

Kei Takemura

‘Leave from B Point in C Point’, 2012, print on cotton, Japanese silk thread, German synthetic cloth, 90 x 130 cm

Katie West

‘Lighting’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Dani Marti

‘Fool’s Paradise (Arrangement in mild roses, lies and steel)’, 2016, customised corner cube reflectors, glass beads on powder coated aluminium frame, 115 x 115 x 11 cm

Lottie Consalvo

‘The Hold’, 2020, acrylic and enamel on board, 110 x 80 cm

Tina Havelock Stevens

‘A Burst of Boiling Rage (Installation)’, 2021-2022, Rug (designed with Elliott Bryce Foulkes), Drum kit, screen, POA

Tim Johnson

‘King Gesar’, 2021, set of 3 panels, 135 x 122 cm overall

Tina Havelock Stevens

‘Summit Arpeggio, Snowdon’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

John Beard

‘Harbour 2’, 2021, oil and wax on linen, 51 x 69 cm

Isidro Blasco

‘Subway 1’, 2016, C-print, wood, museum board, 38 x 15 x 8 cm

Nidhal Chamekh

‘Le Battement des Ailes N°7’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Clemens Krauss

‘Occurrence’, 2022, acrylic on hand-made paper, 21 x 30 cm

Tim Johnson

‘Son House’, 2022, acrylic on linen, 20 x 25 cm

Locust Jones

‘Methods of power’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 136 cm, framed

Lucas Davidson

‘Ashes, Bones’, 2019, pigment print, 78 x 109cm, unique work

Armando Chant

‘Palimpsest V (Valle de Veneon)’, 2022, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, wooden shelf, 42 x 65cm, created in collaboration with master embroiderers Rajat Jain (coordinator) , Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Peter Hoffer

‘Saint Jerome’, 2022, acrylic, oil and epoxy on board, 124 x 110 cm

Emma Fielden

‘The Veil (after René Magritte’s The Lovers)’, 2020, pen and ink on 425gsm Saunders Waterford paper, framed, 92 x 92 cm

Clément Cogitore

‘Digital Desert, Diptych #4 (detail #8)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Elger Esser

‘Perros-Guirec’, 2003, C-Print, Diasec Face, 184 x 138 x 5 cm, framed, edition 7/7 + 1AP

Meng-Yu Yan

‘Another Ruin III’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Kei Takemura

‘Green light bulb’, 2015, light bulb, Italian synthetic cloth, Japanese silk thread, 8H x 8D cm

Tim Johnson

‘Leadbelly 2’, 2020, acrylic on linen, 20 x 25 cm

Lottie Consalvo

‘In Great Force’, 2022, acrylic on board, 200 x 120 cm

Tim Johnson

‘Buddha Within’, 2022, acrylic on linen, 92 x 123 cm

Catherine O’Donnell

‘Sunday’s shadow’, 2023, charcoal on paper, 27 x 98 cm, unframed

Gary Deirmendjian

Gary Deirmendjian, ‘falling’, 2009, giclée print, 80 x 58 cm, edition of 7 + 1AP

Claudia Terstappen

‘Yellow oval’, 2021, glazed ceramic, ca. 20 x 13 x 17 cm

Tim Johnson

‘Medicine Buddha’, 2022, acrylic on linen, 50 x 60 cm

Lucas Davidson

‘Soft Boundary’, 2019, pigment print, 78 x 109cm, unique work

Lucas Davidson

‘In perfect stillness’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Clemens Krauss

‘Venture / Adventure I’, 2022, oil on canvas, 110 x 90 cm

Jon Cattapan

‘The Cave’, 2022-23, oil and acrylic on Belgian linen, 185 x 240cm

Tina Havelock Stevens

‘Alstonville Falling’, 2022, pigment archival print on aluminium, pigment paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Tina Havelock Stevens

‘Lake Arrangement, Queenstown’, 2022, pigment archival print on aluminium, pig. paint, 98 x 67 cm, unique multiple of 3 + 1 A.P.

Clemens Krauss

‘Remaining Silent 2’, 2013, acrylic on board, 24 x 30 cm

Tim Johnson

‘Limited Edition’, 2022, acrylic on linen, 183 x 152 cm

Claudia Terstappen

‘Melancholia’, 2022, glazed ceramic, ca. 20 x 23 x 11 cm

Locust Jones

‘Wuhan Diary’, 2020, mixed media on translucent film with face-mounted photographic image on acrylic in framed light box, 80 x 140 x 11 cm

Em Ingram-Shute

‘Elevated Act’ (3), 2020, archival pigment print on German etching Hahnemühle paper, 39 x 50cm, edition of 5 + 1 AP

Giacomo Costa

‘Private Garden n.8’, 2009, C-Print on Aluminium, 100 x 200cm

Dani Marti

‘Red on Red’, 2018, polymer, acrylic, glass, steel, free standing, three sections, 185 x 125 x 15cm each

Kei Takemura

‘Renovated light bulb yellow’, 2012, light bulb, Italian synthetic cloth, Japanese silk thread, 7H x 4D cm

Katie West

‘wanyaarri (listen)’ no. 3, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 98 x 107 cm

Clemens Krauss

‘The remotest remoteness ever imagined‘, 2022, acrylic on hand-made paper, 21 x 30 cm

Piers Greville

‘Objects In The Mirror (Byadbo Study B)’, 2023, oil on canvas, 71 x 51 cm

Peter Hoffer

‘Ella’, 2023, acrylic and epoxy on board, 152 x 120 cm

Clemens Krauss

‘Subtitle 10’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Kei Takemura

‘Renovated buildings HELVETIA VERSICHER’, 2014, broken German model buildings, broken mirror, Italian synthetic cloth, Japanese silk thread, 25 x 25 x 18 cm

Tim Johnson

‘Charlie Parker & Miles Davis’, 2020, acrylic on linen, 20 x 25 cm

Locust Jones

‘Thirty Eight Billion Years Ago’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 138 cm, framed

John Beard

‘Harbour 10’, 2021, oil and wax on linen, 51 x 69 cm

Tina Havelock Stevens

‘Beacon Boom, The Longships’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Emma Fielden

‘A neuron in a human brain fires on impulse then returns to rest’ from the series ‘Of a Second’, 2022, pen and ink on 638gsm Saunders Waterford paper, 30 x 30 cm, set of 10 drawings

Nidhal Chamekh

‘Untitled 1’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Locust Jones

‘Our world’, 2016, ink on paper, 101 x 65 cm

Clemens Krauss

‘Non-linear Strangers to Ourselves’, 2015, oil on canvas, 90 cm x 131 cm

Catherine O’Donnell

‘Golden House Series: House 3’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Anne Zahalka

‘The Reader (Silke Leverkühne/painter)’, 1987, Cibachrome and Ilfrachrome prints, 30 x 30cm (framed 47.3 x 47cm), edition 10 + 2A/P

Locust Jones

‘Friday briefing’, 2023, ink on paper, 138 x 270 cm

Gary Deirmendjian

Gary Deirmendijan, ‘promise’, 2018, 24 carat gilding and resin on glazed ceramic, glaze, 20 x 21 x 17 cm

Liam Garstang

‘There’ll Be No More Shepherds’ Number 13, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Claudia Terstappen

‘Palace of Versailles’, 2021, glazed ceramic, ca. 40 x 30 x 19cm, wood plinth, ca. 25 x 23 x 22 cm

Meng-Yu Yan

‘New Moon Cleanse’, 2018, framed digital print on Ilford gold mono, edition of 7 + 1 AP

Dani Marti

‘DuST – Portrait of Jada saving Sad Frogs beside the road’, 2021, customised reflectors on powder coated aluminium frame, 181 x 121 x 4.5cm

Clemens Krauss

Clemens Krauss ‘Observation’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, 39 x 56 cm

Peter Hoffer

‘Scarlet I’, 2023, acrylic and epoxy on board, 97 x 81 cm

Dani Marti

‘Gris sobre rosa’ from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Katie West

wilayi bangarrii (go for a walk) 6/6, calico, natural dyes (eucalyptus, corymbia and acacia), 96.5cm x 126cm

Piers Greville

‘Datum gelidae [Given the cold]’, 2023, oil on linen, three panels, 276 x 122 cm overall

Dani Marti

‘Red Squares’, from the series ‘Dust’, 2021, customised reflectors on aluminium, 145 x 145 x 4.5cm

Elger Esser

‘Helensburgh’, 2015, Hahnemühle Ultrasmooth 100 cotton rag, 100 x 120 cm, edition of 7 + 1AP

Claudia Terstappen

‘Gewürm auf Hocker (Worm architecture on stool)’, 2021, wood stand, 107 cm high, glazed ceramic, ca. 53 x 34 x 37 cm

Lucas Davidson

‘Body Emulsion Duality’, 2018, single-channel video, 16:18 minutes, edition 3 + 1 a.p.

Locust Jones

‘We just didn’t believe it’, 2023, colour pencil on stonehenge paper, 76 x 56 cm, unframed

Locust Jones

‘Hanging out under the stars’, 2023, ink and colour pencil on stonehenge paper, 61 x 81 cm, framed

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Lucas Davidson

‘Skin Deep’, 2019, pigment print, 78 x 109cm, unique work

Clemens Krauss

Clemens Krauss, ‘Erratisch’, 2018, oil on canvas, 50 x 70 cm

Katie West

‘Water tank leaf’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Isidro Blasco

‘Model 2’, 2016, C-print, wood, museum board, 25 x 25 x 5 cm

Nidhal Chamekh

‘Le Battement des Ailes N°11’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Clément Cogitore

‘Braguino #2 (Dogs)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Gary Deirmendjian

Gary Deirmendjian, ‘child 259’, 2015, non-organic salvaged rubbish, treated mannequin torso, 55 x 30 x 19 cm

Tim Johnson

‘New Thredbo’, 2022, acrylic on linen, 75 x 100 cm

John Beard

‘Hill 2’, 2021, oil on canvas, 155 x 135 cm

Katie West

‘Yuwarda (build a fire in a shallow depression)’, no. 1, 2019, silk, natural dyes (eucalyptus, corymbia and acacia), 129 x 121cm

Gary Deirmendjian

Gary Deirmendjian, ‘and the light rained in’, 2010, giclée print, 60 x 80 cm, edition of 7 + 1 AP

John Beard

‘Harbour 8’, 2021, oil and wax on linen, 51 x 69 cm

Ellen Dahl

‘Field notes from the edge #11 / 41°30’49.1″S’, 2020, cyanotype on cotton gelatin paper, Arctic coal, custom made oak frame with museum glazing, 28 x 36 cm

Dani Marti

‘Between Grey’, 2022, polyester and polypropylene rope on polished aluminium frame, 110 x 110 x 8cm

Jon Cattapan

‘Close Dissolve’, oil and acrylic on Belgian Linen, 2022-3, 140 x 140 cm

Lottie Consalvo

‘From the Lake II’, 2020, acrylic and enamel on board, 110 x 80 cm

Katie West

‘Ocean’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Nidhal Chamekh

‘Le Battement des Ailes N°3’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Clemens Krauss

‘Untitled’ from the series ‘Friction’, 2015, oil on canvas, 90 x 131 cm

Helen Pynor

Milk 1 (Sweet pittosporum), 2008, C-type photograph face-mounted on glass, 100 x 66cm, edition of 5 + 1AP

Clemens Krauss

‘Noise’ from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Kei Takemura

‘Renovated buildings GUTANNAHME-ESSO’, 2014, broken German model buildings, Italian synthetic cloth, Japanese silk thread, 25 x 15 x 19 cm

Jon Cattapan

‘Pink Variance 5’, 2022, oil and acrylic on Belgian Linen,140 x 140 cm

Clemens Krauss

‘Venture / Adventure VII’, 2022, oil on canvas, 110 x 90 cm

Lottie Consalvo

‘Lost Sun’, 2021, acrylic on hessian, 57 x 77cm

Peta Clancy

‘Undercurrent’ (6), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Jon Cattapan

‘Double Red Study’, 2021, acrylic and oil on linen, 90 x 102 cm

Locust Jones

‘Driver mutations’, 2023, acrylic ink and coloured pencil on stonehenge paper, 81 x 61 cm, framed

Lottie Consalvo

‘Shadow Cave’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Lottie Consalvo

‘Landscape II’, 2022, acrylic and river pebbles on board, 60 x 70 cm

Kei Takemura

‘K.K.’s grand mother’s renovated rice bowl’, 2009, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 11D x 5H cm

Lottie Consalvo

‘It Was As Silent As This’, 2022, acrylic on board, 120 x 200 cm

Dani Marti

‘Pointless, salt pink’, 2022, customised reflectors on aluminium, 116cm diameter x 25cm deep

Isidro Blasco

‘The Goddess II’, 2013, C-print on museum board, wood and hardware, 12 x 24 x 8cm

Catherine O’Donnell

‘Golden House Series: House 1’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 3

Gary Deirmendjian

Gary Deirmendjian, ‘ECG tablet’, 2010, polystyrene, perspex box, 123 x 25 x 13 cm

Clément Cogitore

‘Digital Desert #1’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, edition 3/5

Locust Jones

‘October 2023’, 2023, ink and colour pencil on stonehenge paper, 128 x 770 cm, unframed

Clemens Krauss

‘Self portrait as a child’, 2017, silicone, oil, own hair, mixed media, dimensions variable

Clemens Krauss

Clemens Krauss, ‘Attempt I’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 37 x 47 cm

Clemens Krauss

Elternhaus/ Parental Home, 3:30 min video loop, edition of 5, 2008

Tim Johnson

‘Citipati’ (with Daniel Bogunovic), 2020, acrylic on canvas, 183 x 152 cm

Lottie Consalvo

‘The Loss of Awe’, 2021, acrylic on board, 120 x 180 cm

Jon Cattapan

‘Two Sentient Study III, 2018, 3D print, framed, 37 x 44 cm, edition of 5 + 1 A.P

Lottie Consalvo

‘Knowledge and the Ghost in the Light’, 2021, acrylic on linen, 122 x 183 cm

Clemens Krauss

‘Business as usual’, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Lucas Davidson

‘Invisible Centre’, 2019, pigment print, 78 x 109 cm, unique work

Lucas Davidson

‘Anticipation Machine’, 2017, acrylic mirror, 190 x 70 x 70 cm, edition of 1 + 1 a.p.

Claudia Terstappen

‘Longing’, 2021, glazed ceramic, ca. 50 x 22 x 18 cm

Kei Takemura

‘The accident 2’, 2014, model lighthouse, model aeroplane, Italian synthetic cloth, Japanese silk thread, 21H x 11D cm

John Beard

‘Harbour 9’, 2021, oil and wax on linen, 51 x 69 cm

Catherine O’Donnell

‘Cité Spinoza, Paris’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Locust Jones

‘Hunter Gatherer’, 2023, acrylic ink and coloured pencil on stonehenge paper, 136 x 136 cm, framed

Nidhal Chamekh

‘Untitled 2’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Locust Jones

‘Poolside with miners’, 2023, colour pencil, oilbar on stonehenge paper, 76 x 56 cm, unframed

Locust Jones

‘Back in the corner’, 2023, acrylic ink, pigment and coloured pencil on paper, 56 x 76 cm, unframed

Dani Marti

‘Dust (Dark Purple)’, 2020, customised corner reflectors, 60 x 60 cm, side view

Isidro Blasco

‘QVB’, 2013, C-print on museum board, wood and hardware, 80 x 125 x 21cm

Elger Esser

‘Tombelaine III’, 2018, Direktprint on silver copper plate, shellac, 26.5 x 34 x 4 cm, edition of 3 + 1AP

Kei Takemura

‘For E.K’, 2015, print on cotton, Japanese silk thread, German synthetic cloth, 364 x 284 cm

Dani Marti

‘Between’ (H2/3-60), 2020, polyester and polypropylene rope on polished aluminium frame, 65 x 65 x 11cm

Tim Johnson

‘High Plains Drifter’ (with Daniel Bogunovic), 2022, acrylic on linen, 22 x 27 cm

Peta Clancy

‘Confluence 6’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Clément Cogitore

‘Digital Desert, Diptych #1 (detail #1)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Lucas Davidson

‘From the moment I met you’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Elger Esser

‘Wentworth Point #4’, 2015, 100 x 120 cm, Hahnemühle Ultrasmooth 100 cotton rag, edition of 7 + 1 a.p.

Tim Johnson

‘Buddha Descending on a Cloud’, 1983, acrylic on canvas, 75 x 100 cm

Katie West

‘Sand markings’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Kei Takemura

‘The accident 1’, 2013, Italian synthetic cloth, Japanese silk thread, 26 x 16 x 12 cm

Meng-Yu Yan

‘Another Ruin V’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Dani Marti

‘Composition in Orange and Blue’, 2018, polyester and aluminium, 172 x 172 x 8cm

Lucas Davidson

‘Self portrait’, 2012, duration 12:27 minutes, edition of 3 + 1 a.p.

Kei Takemura

‘Blue moon plate’, 2004, ceramic plate, Italian synthetic cloth, Japanese silk thread, 2H x 11D

Clemens Krauss

‘Wired’, from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #6’, 2018, pencil on paper, 46.5 x 36.5 cm, framed with museum glass

Clemens Krauss

‘Dissent Disorder’, 2015, oil on canvas, 111 cm x 71 cm

Clemens Krauss

‘Transmission’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Lottie Consalvo

‘Landscape IV’, 2022, acrylic and river pebbles on board, 60 x 70 cm

Tina Havelock Stevens

‘Monaco Percuss’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Lottie Consalvo

‘In Centre’, 2021, acrylic on board, framed, 67 x 57 cm

Kei Takemura

‘Renovated K.K.’s soup dish’, 2013, ceramic dish, Italian synthetic cloth, Japanese silk thread, 2H x 16D cm

Gary Deirmendjian

Gary Deirmendjian, ‘beneath my skin – there’s a will’, 2012, acrylic on canvas, framed, 110 x 110 cm

Claudia Terstappen

‘Yellow wave’, 2022, glazed ceramic, ca. 40 x 27 x 18 cm, steel rod, 150 x Ø 2 cm

Lottie Consalvo

‘Before The Fall I’, 2022, plaster, hessian and wood, 110 x 60 x 80 cm ca.

Armando Chant

‘Mountain Horizon (Vallée de Vénéon)’, 2023, photographic digital print on 300gsm paper, graphite, wax, varnish, graphite stick, 87 x 36 cm

Lottie Consalvo

‘I’ll move like you do’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Clemens Krauss

Clemens Krauss, ‘Association’ (From the series ‘2017-2021’), 2020, acrylic on hand-made paper, framed, 28 x 36 cm

Peter Hoffer

‘Eucalyptus II’, 2023, acrylic and epoxy on board, 30 x 35 cm

Giacomo Costa

‘atmosfera n.22’, 2020, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 100 cm, edition of 1

Tim Johnson

‘Thredbo Verse’ (with Daniel Bogunvic), 2022, acrylic on linen, 183 x 152 cm

Isidro Blasco

‘Bridge in Rio’, 2017, C-print, wood, museum board, 36 x 18 x 8 cm

Lottie Consalvo

‘A Birds Fly’, 2021, acrylic on board, 100 x 120 cm

Tim Johnson

‘Little Big Horn 2’, 1989, acrylic on linen, 60 x 80 cm

Elger Esser

‘Le Grande Roches’, France, 2011, C-Print, DiaSec Face, 130 x 180 x 5 cm, edition of 7 + 1AP

Armando Chant

‘Sliver Diptych (Vallée de Vénéon)’, 2023, photographic digital print on 300gsm paper, graphite, wax, varnish, graphite stick, 167.5 x 24.5cm 

Clément Cogitore

‘Braguino #1 (Boy)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Claudia Terstappen

‘Large orange’, 2021, glazed ceramic, ca. 50 x 40 x 26 cm

Ellen Dahl

‘as Below so Above #3’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Piers Greville

‘El tres de mayo en Madrid’, 2020, oil and acrylic on masonite, 61 x 92 cm

John Beard

‘Harbour 5’, 2021, oil and wax on linen, 51 x 69 cm

Jon Cattapan

‘Ear of Dionysius 3’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Clément Cogitore

‘Braguino #3 (Children’s hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Meng-Yu Yan

‘Rocher des Faux-Amants I’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 68 x 119cm

Peta Clancy

‘Fissures In Time 3’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Lottie Consalvo

‘Into another place’, 2022, river pebbles and acrylic on board, 57.5 x 67 cm, framed

Clément Cogitore

‘Digital Desert, Diptych #4 (detail #7)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

Liam Garstang

‘There’ll Be No More Shepherds’ Number 1, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Isidro Blasco

‘New York Planet’, 2017, C-print, wood, museum board, 60 x 60 x 20 cm

Clément Cogitore

‘Digital Desert #3’, 2015, 120 x 170cm, faceMount Acrylic, C-Print, edition of 5 + 2 AP, edition 2/5

Giacomo Costa

‘Atmosfera n.17’, C print on aluminium, 100 x 177cm, edition of 1

Nidhal Chamekh

‘Untitled 3’, 2021, transfer, inks, graphite and magnets on iron structure, 28 x 40 x 5 cm

Clemens Krauss

‘Venture / Adventure’, 2022, oil on canvas, 110 x 90 cm

Gary Deirmendjian

Gary Deirmendjian, ‘I walked by a man’, 2005, Duraluxe sublimation aluminium,32 x 42 cm, edition of 7 + 1A.P.

Dani Marti

‘Joc de mots en rosa joganera – take 1’, 2022, polyester and polypropylene rope on a polished aluminium frame, 47 x 47 x 6cm

Catherine O’Donnell

‘Striped Curtains’, 2023, charcoal on paper, 42 x 77 cm, unframed

Gary Deirmendjian

Gary Diermendjian, ‘presence’, 2018, single channel silent video, 10:00 mins, edition of 9 + 1AP

Gary Deirmendjian

Gary Deirmendjian, ‘unplugged’, 2011, slip cast ceramic head form, resin encasement, other media, 18 x 28 x 17 plus cable dimensions variable

Tina Havelock Stevens

‘Binocular Timbre, Richmond River’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Armando Chant

Palimpsest I (Valle de Veneon), 2022, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, wooden shelf, 65 x 42 cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Clément Cogitore

‘Digital Desert, Diptych #2 (detail #3)’, 2015, C-Print face-mounted onto acrylic, 57 x 40 cm, edition of 5 + 2 AP, edition 3/5

John Beard

‘Harbour 7’, 2021, oil and wax on linen, 51 x 69 cm

Giacomo Costa

‘atmosfera n.23’, 2020, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 100 cm

Ellen Dahl

‘as Below so Above #7’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Jon Cattapan

‘Ear of Dionysius 6’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Clément Cogitore

‘Braguino #7 (Wing)’, 2018 Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Claudia Terstappen

‘Disorganised’, 2021, glazed ceramic, ca 39 x 30 x 7 cm

Locust Jones

‘Lord Kitcheners Big Five’, 2012, Linocut, Arches Cover White 300gsm, 65cm x 120cm (unframed size), edition of 7

Isidro Blasco

‘Street Table’, 2009, c-print, museum board, wood, 20 x 18 x 15cm

Locust Jones

‘Waiting for News’, 2021, ink, shellac, pigment, pencil and oil bar on layers of photographic back-lit film inside wooden light with LED panels, 75 x 75 x 15 cm

Elger Esser

‘Fecamp’, 2019, Mixed Media: Copper Plate, Direct print, Shellac, 33 x 29 x 4 cm, edition 2/3 + 1AP, framed

Lottie Consalvo

‘Oceanic Thoughts’, 2022, acrylic on board, 200 x 120 cm

Lucas Davidson

‘Rise like Smoke’, 2019, pigment print, 78 x 109cm, unique work

Claudia Terstappen

‘School of objects’, 2022, glazed ceramic, glue, 80 x 26 x 22 cm

Peter Hoffer

‘Valée’, 2022, acrylic, oil and epoxy on board, 86 x 62 cm

Andrew Rogers

‘Sustenance, Turkey’, 2009, C-Print, Diasec Face, 102 x 130 cm, edition of 12 + 1AP

Locust Jones

‘Dive, Dive, Dive’, 2023, acrylic ink and coloured pencil on stonehenge paper, 84 x 65 cm, framed

Jon Cattapan

‘Two Sentient Study IV’, 2018, 3D print, framed, 37 x 44cm, edition of 5 + 1 A.P

Jon Cattapan

‘Ear of Dionysius 12’, 2023, oil and acrylic on Belgian linen, 110 x 90cm

Peter Hoffer

‘Winton’, 2023, acrylic and epoxy on board, 98 x 81 cm

Clemens Krauss

‘Subtitle 13’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Dani Marti

‘Composition in Blue and Green’, 2018, polyester and aluminium, 112 x 112 x 8cm

Elger Esser

‘Brest’, 2019, Mixed Media: Copper Plate, Direct print, Shellac, 54 x 39 x 4 cm, framed, edition 2/3 + 1AP

Claudia Terstappen

‘Oberflächenspannung (surface tension)‘, 2021, glazed ceramic, ca. 39 x 33 x 3 cm, wood plinth, ca. 28 x 24 x 12 cm

Claudia Terstappen

‘Different ideas floating about’, 2022, glazed ceramic, ca. 150 x 43 x 12 cm

Jon Cattapan

‘Ear of Dionysius 9’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Ellen Dahl

‘Field Notes from the Edge #19′ (arctic coal), diptych, 2021, 33 x 42 cm each, eco solvent pigment prints on cotton rag mounted on Dibond, framed

Peta Clancy

‘Undercurrent’ (2), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Gary Deirmendjian

Gary Deirmendjian, ‘a red dreaming’, 2009, giclée print, 55 x 80 cm, edition of 7 + 1AP

Jon Cattapan

‘Ear of Dionysius 5’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Anne Zahalka

‘Rising Tide’, 2022, Type C print, plastics collected from birds, 80 x 80cm framed

Catherine O’Donnell

‘Cité Spinoza, Paris #2’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Kei Takemura

‘Renovated teacup (Rosenthal white)’, 2014, ceramic cup, Italian synthetic cloth, Japanese silk thread, 10H x 4D

Peter Hoffer

‘Eucalyptus I’, 2023, acrylic and epoxy on board, 122 x 91 cm

Katie West

‘Water curls’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Ellen Dahl

‘as Below so Above #6’, 2022, archival pigment print on fibre rag, custom made oak frame with museum glazing, 53.5 x 75 cm, edition 1 of 5 + 2 AP

Locust Jones

‘Garden of joy’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Peta Clancy

‘Deep time and now 3’ from the ‘Confluence’ series, 2022, pigment inkjet print, 41 x 57 cm, edition of 5 + 1 AP

Claudia Terstappen

‘Being curious’, 2021, glazed ceramic, ca. 42 x 28 x 18 cm, wood plinth, ca. 34 x 24 x 11 cm

Kei Takemura

‘R.D’s renovated café au lait bowl with blue lines’, 2012, ceramic bowl, Italian synthetic cloth, Japanese silk thread, 7H x 15D

Katie West

‘wanyaarri (listen)’ no.1, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 107 x 98 cm

Tina Havelock Stevens

‘A Burst of Boiling Rage’, 2021-2022, Rug (designed with Elliott Bryce Foulkes), 100% NZ wool rug, 220 x 220cm

Dani Marti

‘Composition in Blue and Yellow (Ode to Catalonia)’, 2018, polyester and aluminium, 172 x 257 x 8cm

Lottie Consalvo

‘A Holding Fall’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Lucas Davidson

‘From Nothing to Nothing’, 2019, pigment print, 78 x 109 cm, unique work

Jon Cattapan

‘Ghost Vista 2+3’, 2022-23, oil and acrylic on Belgian Linen, 170 x 247 cm

Meng-Yu Yan

‘Untitled (Xue)’, 2022, print on Ilford Metallic Gloss, 67 x 44cm, 1/7 + 2AP

Clemens Krauss

‘Remaining Silent 7’, 2013, acrylic on board, 13 x 18 cm

Jon Cattapan

‘Masked Group (Figure) LXVI’, Monoprint series, 2014, 40 x 40 cm, framed

Gary Deirmendjian

Gary Deirmendjian, ‘still life – ii’, 2005, Duraluxe sublimation aluminium,21 x 23 cm, edition of 7 + 1A.P.

Catherine O’Donnell

‘High Rise #1’, 2023, charcoal and graphite on paper, 102 x 33 cm, unframed

Kei Takemura

‘Renovated lighthouse’, 2014, glass, model lighthouse, Italian synthetic cloth, Japanese silk thread, 26H x 10D

Clemens Krauss

‘Private Logic’, 2015, oil on canvas, 60 cm x 91 cm

Clemens Krauss

‘Subtitle 11’, From the series ‘Subtitle and other Forebodings’, (Denk Display III/IV), 2011, oil on canvas, 38 cm x 115 cm

Julian Day

Soft Diplomacy’, 2018, fabric, steel, wood, amplifier, speaker, media player, 300 x 100 cm, edition of 5 + 1AP.

Jon Cattapan

‘Ear of Dionysius 10’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Lottie Consalvo

‘The Moon Fell and Nothing Happened (In Dreams)’, 2020, acrylic on board, 90 x 80 cm

Meng-Yu Yan

‘Another Ruin II’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Clemens Krauss

‘Safety First’ from the series ‘The Untraceability’, 2015, acrylic on board

Lucas Davidson

‘Resting place’, 2022, pigment print on photo rag, 114 x 168 cm framed, edition of 2 + 1AP

Jon Cattapan

‘Ear of Dionysius 2’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Tina Havelock Stevens

‘Sticky’, 2013, used THS sticks (created together with Elvis Richardson), pewter, edition of 5 + 1 A.P.

Tina Havelock Stevens

‘A Burst of Boiling Rage’, 2021, Single-channel 4k digital video installation with stereo sound 15.30 min, Original music: Malcolm Arnold, Producer, Director & Performer: Tina Havelock Stevens, Director of Photography: Jackie Wolf, Sound Recordist & Mix: Jem Hoppe, Camera Assistant : Jubilee Chan, Artist Assistant: Anny Mokotow, Gaffer: Aleksei Vanamois, Editor: Kathy Drayton, Colourists – Dwaine Hyde, Jackie Wolf, Yanni Kronenberg, edition of 5 + 1 A.P.

Jon Cattapan

‘Ear of Dionysius 1’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Catherine O’Donnell

‘Golden House Series: House 2’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Locust Jones

‘The ancient universe’, 2023, acrylic ink on stonehenge paper, 136 x 136 cm, framed

Dani Marti

‘The Story of I am (notes in blue and green)’, 2016, polyester, nylon and leather on aluminium frame, 60 x 60 x 7 cm

Peta Clancy

‘Fissures In Time 1’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Clemens Krauss

‘Occurrence’, 2017, Video8 transferred to DV, 4 minutes, sound, edition of 3+1 AP

Clemens Krauss

‘Untitled (Reveal and observe)‘, 2022, acrylic on Hahnemuehle-paper, 30 x 40 cm

Tim Johnson

‘Kalachakra Mandala (with Karma Phuntsok)’, 2004, acrylic on linen, 122 x 91 cm

Piers Greville

‘Spielzeug schema’, 2022, oil on linen, 182 x 122 cm

Em Ingram-Shute

‘Elevated Act’ (1), 2020, archival pigment print on German etching Hahnemühle paper, 50 x 63cm, edition of 5 + 1 AP

Gary Deirmendjian

Gary Deirmendjian, ‘from a dialogue within’, 2010, giclée print, 80 x 60 cm, edition of 7 + 1 A.P

Liam Garstang

There’ll Be No More Shepherds’ Number 3, 2018, pigment print face-mounted to acrylic, 38 x 68 cm, edition 5 + 1AP

Clément Cogitore

‘Braguino #5 (Girl)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, no glazing, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Peta Clancy

‘Confluence 1’, 2022, pigment inkjet print, edition of 5 + 1 AP, 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Claudia Terstappen

‘Dangling thoughts’, 2021, glazed ceramics, size variable, ca. 40 x 20 x 13 cm

Helen Pynor

Liquid Ground 5′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Gary Deirmendjian

Gary Deirmendjian, ‘sediment true’, 2009, giclée print,archival inks & paper, 40 x 58 cm, edition of 7 + 1 A.P

Jon Cattapan

‘Ear of Dionysius 11’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Jon Cattapan

‘Ear of Dionysius 13’, 2022-23, oil and acrylic on Belgian linen, 110 x 90cm

Elger Esser

‘Combray (Giverny IV)’, France (Haute-Normandie, 27 Eure), 2010, Heliogravure on hand made paper, 117 x 133 x 6 cm, edition of 12 + 3AP

Tina Havelock Stevens

‘Hobart Vibrational’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Tim Johnson

‘Tsong Kapa 2’, 2020, acrylic on linen, 40 x 50 cm

Clément Cogitore

‘Braguino #8 (Coypu)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Jon Cattapan

‘Dissonant Group No. 1’, 2019-2020, acrylic and oil on linen, 100 x 100 cm

Locust Jones

‘Hot histories’, 2023, ink and colour pencil on stonehenge paper, 81 x 61 cm, framed

Armando Chant

‘Diptych II (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers

Katie West

‘Harsh shadow shells’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Lottie Consalvo

‘Do You Remember the Trees’, 2022, acrylic and river pebbles on board, 100 x 120cm, unframed

Isidro Blasco

‘New York Wave, BW’, 2017, c-print, wood, museum board, 198 x 71 x 35 cm

Claudia Terstappen

‘Counting days’, 2022, glazed ceramic, rope, size variable, ca. 340 x 8 cm

Peter Hoffer

‘Acacia’, 2023, acrylic and epoxy on board, 97 x 81 cm

Locust Jones

‘Canary in the coalmine’, 2023, coloured pencil on stonehenge paper, 81 x 61 cm, framed

Kei Takemura

‘Renovated flame glass’, 2015, glass, Italian synthetic cloth, Japanese silk thread, 8H x 8D cm

Claudia Terstappen

‘Curtain Fig Tree’, 2002, gelatine silver print, mounted onto aluminium, framed, 127 x 127cm, edition of 8 + 2 AP

Kei Takemura

‘Renovated light bulb purple’, 2012, light bulb, Italian synthetic cloth, Japanese silk thread, 10H x 6D cm

Tim Johnson

‘Cosmic Sea’, 2021, oil on linen, 152 x 183 cm

Katie West

yuwarda (build a fire in a shallow depression) 1/4, Silk, natural dyes (eucalyptus, corymbia and acacia), 128cm x 121cm

Elger Esser

‘Pouldouran’, 2018, Direktprint on silver copper plate, shellac, 26.5 x 34 x 4 cm, edition of 3 + 1AP

Tina Havelock Stevens

‘Glen Callater In-Between’, 2022, pigment archival print on aluminium, pigment paint, 129 x 86 cm, unique multiple of 3 + 1 A.P.

Clemens Krauss

‘Venture / Adventure II’, 2022, oil on canvas, 110 x 90 cm

Tim Johnson

‘Sighting’ (with Daniel Bogunovic), 2021, acrylic on linen, 77 x 120 cm

Peta Clancy

‘Confluence 9’, 2022, pigment inkjet print, edition of 5 + 1 AP, 117 x 150 cm / edition of 5 + 1 AP, 78 x 100 cm

Nidhal Chamekh

‘Le Battement des Ailes N°9’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Armando Chant

‘Diptych IV (Vallée de Vénéon)’, 2023, hand embroidered linen canvas, graphite, wax, varnish, photographic digital print, graphite stick, 86 x 97cm, created in collaboration with master embroiderers Rajat Jain (coordinator), Mohammed Waseem (embroiderer), Mohammed Irfan (embroiderer), Mohammed Imran (embroiderer), Mohammed Fahim (embroiderer), and Mohammed Tasleem (embroiderer)

Kei Takemura

‘Renovated coffee cup’, 2013, ceramic cup, Italian synthetic cloth, Japanese silk thread, 7H x 8D cm

Clemens Krauss

‘Origin’ from the series ‘Noise’, 2017, oil on canvas, 90 x 70 cm

Lottie Consalvo

‘Holding Great Falls, 2020, acrylic on board, 80 x 111 cm

Meng-Yu Yan

‘Another Ruin I’, 2023, digital photographic print on textured cotton rag paper, edition of 5 + 2 AP, 85 x 60cm

Claudia Terstappen

‘Extravagancia’, 2022, glazed ceramic, glue, 40 x 27 x 20 cm, wooden stand, 28 x 20 x 22 cm, 40 x 43 x 30cm together

Catherine O’Donnell

‘Golden House Series: House 4’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Jon Cattapan

‘Diptych 7’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Lottie Consalvo

‘And The Moon Kept Rising’, 2021, acrylic on linen, 183 x 122 cm

Kei Takemura

‘Renovated R.D.’s pitcher’, 2013, ceramic jug, Italian synthetic cloth, Japanese silk thread, 13H 18D cm

Kei Takemura

The Time to Stop 2′, 2014, Paper, drawing with permanent pen, Italian coloured synthetic cloth, Japanese silk thread, 45 x 61cm

Locust Jones

‘Four Sacred Mountains’, 2021, ink on paper, framed, ca. 166 x 117 cm

Katie West

‘Sheep yard shadows’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Helen Pynor

Liquid Ground 4′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Jon Cattapan

‘Diptych 9’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Nidhal Chamekh

‘Le Battement des Ailes N°2’, 2019, inks and transfer on cotton paper, 23 x 30 cm, framed

Tim Johnson

‘Pirates VS Aliens’ (with Daniel Bogunovic), 2022, acrylic on linen, 21 x 27 cm

Lottie Consalvo

‘Dark Moon IV’, 2022, acrylic and river pebbles on board, 50 x 60 cm

Lottie Consalvo

‘Falling Into Mountains’, 2022, river pebbles and acrylic on board, 99 x 130 cm, framed

Tim Johnson

‘Blues Singers’, 2021, set of 25 canvases, ca. 50 x 50 cm overall: or 10 x 10 cm each

Peta Clancy

‘Fissures In Time 4’, 2017, framed Inkjet pigment print, 91 x 123.98 cm

Isidro Blasco

‘Black and White’, 2016, C-Print, wood, museum board, 180 x 53 x 20 cm

Peter Hoffer

‘Birches’, 2023, acrylic and epoxy on board, 35 x 30 cm

Claudia Terstappen

‘Rain today, sun tomorrow’, 2022, glazed ceramic, rope, ca. 120 x 40 x 12 cm, 8 cones Ø 10 x 21-24 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #4’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Elger Esser

‘Etang du Bateguier IV’, 2020, C-Print, Diasec Face, 244 x 184 x 5 cm, framed, edition 3/7 + 1AP

Jon Cattapan

‘Ear of Dionysius 4’, 2022, oil and acrylic on Belgian linen, 110 x 90cm

Piers Greville

‘Off planet’, 2022, oil on linen, 182 x 122 cm

Jon Cattapan

‘Continuing Ledge V3 (Blank Generation)’, 2023, oil and acrylic on Belgian Linen, 184 x 212 cm

Gary Deirmendjian

Gary Deirmendjian, ‘still life – iii’, 2005, Duraluxe sublimation aluminium, 21 x 23 cm, edition of 7 + 1A.P.

Claudia Terstappen

‘Lingering’, 2022, glazed ceramic, ca. 39 x 30cm, wood plinth, ca. 21 x 22 x 23 cm

Nidhal Chamekh

‘Le Battement des Ailes N°14’, 2016 – 2017 – 2018, graphite, ink and transfer on cotton paper, 23 x 33 cm, framed

Nidhal Chamekh

‘Untitled 1’, lithographs on watercolour paper, 23 x 31 cm, edition of 50

Locust Jones

‘Sacred News’, 2009, ink on paper, 250 x 130 cm

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