Viewing Room

The Dominik Mersch Gallery viewing room offers a curated selection of significant works by each of our artists currently available in the gallery. For further available artworks by specific artists, please contact the gallery on info@dominikmerschgallery.com or +61 2 9368 1999.

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Viewing Room

Piers Greville

‘Acceleration’, 2025, Oil on Aluminium Composite Panel, 122 x 80 cm

Piers Greville

‘Uncertain Principles’, 2025, Oil on Aluminium Composite Panel, 122 x 80 cm

Clemens Krauss

‘Delayed Discourse I’, 2025, acrylic on canvas, 60 x 80 cm

Clemens Krauss

‘Delayed Discourse II’, 2025, acrylic on canvas, 60 x 80 cm

Clemens Krauss

‘Delayed Discourse III’, 2025, acrylic on canvas, 60 x 80 cm

Clemens Krauss

‘Delayed Discourse IV’, 2025, acrylic on canvas, 60 x 80 cm

Clemens Krauss

‘Delayed Discourse V’, 2025, acrylic on canvas, 60 x 80 cm

Oliver Abbott

‘mine_87.74’, 2025, oil on linen, 50 x 65 cm

Peter Hoffer

‘Young Tulipwood’, 2025, acrylic and epoxy on board, 122 x 92 cm

Peter Hoffer

‘Illawarra’, 2025, acrylic and epoxy on board, 51 x 40 cm

Peter Hoffer

‘Small Tree VIII’, 2025, acrylic and epoxy on board, 30 x 20 cm

Peter Hoffer

‘Morning Eucalyptus’, 2025, acrylic and epoxy on board, 122 x 92 cm

Peter Hoffer

‘Foxtail Palm’, 2025, acrylic and epoxy on board, 152 x 122 cm

Cobi Cockburn

‘White Lines’, 2025, neon glass and acrylic, 122 x 122 x 7cm

Lucas Davidson

‘There is room in here’, 2025, Pigment print on photo rag, foam core, alupanel, 120 x 100 cm, framed

Jon Cattapan

‘Fortress Falling (Red Version)’, 2025, oil and acrylic on linen, 140 x 140 cm

Tim Johnson

‘Buddha Within’, 2024, acrylic on linen, 92 x 123 cm

Elger Esser

‘South Curl Rockpool’, 2015/2024, mixed media: silver coated copper plate, direct print, shellac, 44 x 34 x 3 cm

Elger Esser

‘Wentworth Point 12.14.28’, 2024, mixed media: silver coated copper plate, direct print, shellac, 15 x 9 x 3 cm

Elger Esser

‘Rockpool 10.24.33’, 2024, mixed media: silver coated copper plate, direct print, shellac, 15 x 9 x 3 cm

Cobi Cockburn

‘Lines of Light 2’, 2024, neon and glass, 75 x 75 x 5 cm

Cobi Cockburn

‘Lines of Light 3’, 2024, neon and glass, 75 x 75 x 5 cm

Cobi Cockburn

‘The Distance Between (Vertical)’, 2024, neon and glass, 65 x 134 x 5 cm per set

Julio Rondo

‘Little Prayer,’ 2024, acrylic behind glass, acrylic and lacquer on wood, 156 x 184 cm

Julio Rondo

‘Volunteered slavery’, 2024, acrylic behind glass, acrylic and lacquer on wood, 156 x 184 cm

Julio Rondo

‘The Fox’, 2024, acrylic behind glass, acrylic and lacquer on wood, 156 x 126 cm

Julio Rondo

‘Heard It’, 2024, acrylic behind glass, acrylic and lacquer on wood, 84 x 104 cm

Julio Rondo

‘Inner City’, 2024, acrylic behind glass, acrylic and lacquer on wood, 64 x 84 cm

Julio Rondo

‘Strawberry Fields’, 2024, acrylic behind glass, acrylic and lacquer on wood, 84 x 74 cm

Peta Clancy

‘here merri merri lies 1’, 2024, pigment inkjet print dry mounted to DIBOND, 115 x 150 cm

Piers Greville

‘Signal Failure’, 2024, oil on canvas board, 28 x 36 cm

Piers Greville

‘Systemic Climbdown’, 2024, oil on canvas board, 28 x 36 cm

Julio Rondo

‘This Is Not’, 2024, acrylic behind glass, acrylic and lacquer on wood, 64 x 84cm

Catherine O’Donnell

‘Les Etoiles #24’, 2024, charcoal and graphite on paper, 39 x 73 cm

Catherine O’Donnell

‘Les Etoiles #11’, 2024, charcoal and graphite on paper, 37 x 65 cm

Bella La Spina

‘Solitary’, 2024, salt print on silk organza, silk screen frame and staples, 93 x 62 cm

Emryn Ingram-Shute

’I Woke Up In The Forest, It Was Blue’, 2024, neon, acrylic and transformers, 120 x 200 x 18 cm

Emryn Ingram-Shute

‘BBQ Porn #3’, 2024, neon, acrylic and transformers, 48 x 45 x 8 cm, edition of 5 + 1 AP

Emryn Ingram-Shute

‘BBQ Porn #5’, 2024, neon, acrylic and transformers, 49 x 45 x 8 cm, edition of 5 + 1 AP

Emryn Ingram-Shute

‘Veil of the In-Between’, 2024, vinyl, foam, wood, LED and transformers, 188 x 150 x 15 cm, edition of 3 + 1 AP

Emryn Ingram-Shute

‘Sacred Spillings’, 2024, bronze, neon and transformer, 105 x 36 x 40 cm, edition of 1

Emryn Ingram-Shute

‘Oscillations of Being’, 2024, neon, transformer, resin and acrylic, 190 x 50 x 15 cm, edition of 3 + 1 AP

Bella La Spina

‘Lantern’, 2024, toned cyanotype on silk organza, silk screen frame, 51 x 46 cm

Bella La Spina

‘Seam’, 2024, salt print, toned cyanotype on silk organza, silk screen frame and thread, 50 x 40 cm

Bella La Spina

‘Wane’, 2024, salt print, toned cyanotype on silk organza, oiled pine and staples, 120 x 90 cm

Bella La Spina

‘Keeper’, 2024, salt print, toned cyanotype on silk organza, oiled pine, 120 x 90 cm

Bella La Spina

‘Tower’, 2024, sea salt, resin, 20 x 10 x 10 cm

Antonia Perricone

‘Bianca 3’, 2024, powder coated 2 metre steel rod, 22 x 25 cm

Antonia Perricone

‘Ce Vita In Orni (There Is Life In Everything)’, 2024, powder coated 2 metre steel rod, 60 x 80 cm

Cobi Cockburn

‘Pink Moon #1’, 2024, neon and acrylic, 150 x 150 cm

Cobi Cockburn

‘Pink Moon #2’, 2024, neon and acrylic, 150 x 150 cm

Cobi Cockburn

‘Study of Light 1-5’, 2024, neon and glass, 130 x 20 x 5 cm each

Vedika Rampal

‘Artefact no. २६ (no. 26)’, 2024, digital print hand transferred onto copper, 42 x 30 cm

Vedika Rampal

‘Artefact no. २७ (no. 27)’, 2024, digital print hand transferred onto copper, 42 x 30 cm,

Vedika Rampal

‘Artefact no. ३२ (no. 32)’ 2024, digital print hand transferred onto copper, 42 x 30 cm

Andrew Rogers

‘I Am X’, 2024, bronze, 100 x 35 x 34 cm

Lyndell Brown and Charles Green

The Crystal Palace, 2024, oil on linen, 155 x 155 cm

Lyndell Brown and Charles Green

Eucalyptus Alpina, 2024, oil on linen, 155 x 155 cm

Lyndell Brown and Charles Green

Antea, 2024, oil on linen, 121 x 121 cm

Cobi Cockburn

‘Spire’, 2024, neon and acrylic, 200 x 32 x 5 cm

Dani Marti

Un Bocí de Mar – ( A piece of sea), 2024, Customise corner cube reflectors, glass beads on polished aluminium frame, 60 x 60 x 100 cm

Antonia Perricone

‘Corpo V (Body)’, oil and acrylic on Belgian linen, 2024, 137 x 122 cm

Antonia Perricone

‘Corpo II (Body)’, oil and acrylic on Belgian linen, 2024, 152 x 137 cm

Antonia Perricone

‘Corpo I (Body)’, oil and acrylic on Belgian linen, 2024, 220 x 180 cm

Oliver Abbott

‘288,-87.35, 1.65’, 2024, oil on linen, 120 x 180 cm

Anne Zahalka

‘Cast adrift’, 2024, solvent ink print on rag paper, mounted on Alupanel, 100 x 142 cm, edition of 6, framed

Locust Jones

‘Kyoto/Katoomba’, 2024, ink and paint stick on paper, 200 x 130 cm, unframed

Locust Jones

‘Kyoto/Katoomba’, 2024, ink and paint stick on paper, 200 x 130 cm, unframed

Piers Greville

‘Objects In The Mirror (Byadbo Study B)’, 2023, oil on canvas, 71 x 51 cm

Jon Cattapan

‘Blue Ruins’, 2023, oil and acrylic on Belgian linen, 185 x 240cm

Piers Greville

‘Datum gelidae [Given the cold]’, 2023, oil on linen, three panels, 276 x 122 cm overall

Peter Hoffer

‘Acacia’, 2023, acrylic and epoxy on board, 97 x 81 cm

Peter Hoffer

‘Scarlet II’, 2023, acrylic and epoxy on board, 60 x 60 cm

Peter Hoffer

‘Nuytsia’, 2023, acrylic and epoxy on board, 122 x 91 cm

Andrew Rogers

‘I Am p’, 2023, bronze and stainless steel, 100 x 43 x 42 cm

Catherine O’Donnell

‘Morning Light’, 2023, charcoal on paper, 63 x 90 cm, framed with museum glass

Catherine O’Donnell

‘Golden House Series: House 2’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Catherine O’Donnell

‘Golden House Series: House 3’, 2022-23, stereolithographic model and gold leaf, 13 x 26 x 33 cm (size varies), edition of 2

Julio Rondo

‘NEW LEAF’, Acryl behind glass, acrylic and laquer on wood, 2023, 95 x110 cm

Julio Rondo

‘NOT FADE AWAY’, Acryl behind glass, acrylic and laquer on wood, 2023, 120 x 100 cm

Vedika Rampal

‘Artefact no. ६ (no. 6),’ 2023, digital print hand transferred onto copper, 42 x 30 cm, unframed, edition of 1

Vedika Rampal

‘Artefact no. ८ (no.8),’ 2023, digital print hand transferred onto copper, 42 x 30 cm, unframed, edition of 1

Vedika Rampal

‘Artefact no. १० (no. 10),’ 2023, digital print hand transferred onto copper, 42 x 30 cm, unframed, edition of 1

Vedika Rampal

‘Artefact no. २२ (no. 22),’ 2023, digital print hand transferred onto copper, 15 x 20 cm, unframed, edition of 1

Jon Cattapan

‘Ghost Vista 2+3’, 2022-23, oil and acrylic on Belgian Linen, 170 x 247 cm

Katie West

‘Lighting’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Katie West

‘Ocean’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Jon Cattapan

‘Pink Variance 5’, 2022, oil and acrylic on Belgian Linen,140 x 140 cm

Katie West

‘Sheep yard shadows’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Katie West

‘Shells and shadow’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Katie West

‘Shoulder ripples’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Locust Jones

‘Dark energies’, 2023, underglaze on stoneware, 20 x 25 x 28 cm

Katie West

‘Water tank leaf’, 2023, archival pigment print, 42 x 59 cm, edition of 3

Locust Jones

‘Back in time’, 2023, acrylic ink on stonehenge paper, 136 x 150 cm, framed

Giacomo Costa

‘blocks n.1’, 2023, C-print on aluminium, 80 x 142 cm, edition of 1

Giacomo Costa

‘blocks n.4’, 2023, C-print on aluminium, 80 x 142 cm, edition of 1

Giacomo Costa

‘blocks n.5’, 2023, C-print on aluminium, 80 x 142 cm, edition of 1

Giacomo Costa

‘cluster n.3’, 2023, C-print on aluminium, 80 x 142 cm, edition of 1

Giacomo Costa

‘pattern n.1’, 2023, C-print on aluminium, 125 x 222 cm, edition of 1

Locust Jones

‘October 2023’, 2023, ink and colour pencil on stonehenge paper, 128 x 770 cm, unframed

Locust Jones

‘Hanging out under the stars’, 2023, ink and colour pencil on stonehenge paper, 61 x 81 cm, framed

Lucas Davidson

‘For the briefest moment’, 2023, pigment print, foam core, alupanel, 44 x 54 cm, edition of 1

Lucas Davidson

‘Golden Temple’, 2023, pigment print, foam core, alupanel, 44 x 54 cm, edition of 1

Lucas Davidson

‘The time that’s left’, 2023, pigment print, foam core, alupanel, 44 x 54 cm, edition of 1

José Angelino

‘Incontro’, 2023, gas, argon, blown glass, brass, wood, electricity, 38 x 6 x 11 cm

José Angelino

‘Untitled’, 2023, gas, argon, blown glass, electricity, 7 x 13 x 23 cm

José Angelino

‘Passaggi’, 2023, porcelain plate, brass, fans for model aircraft, variable dimensions

José Angelino

‘Knot’, Argon gas, blown glass, electricity, variable dimensions

Emryn Ingram-Shute

‘Juicy’, 2023, neon, acrylic, steel, wood and transformers, 85 x 85 x 145 cm, edition of 3 + 1 AP

Giacomo Costa

‘pattern n.2’, 2023, C-print on aluminium, 80 x 142 cm, edition of 1

Peta Clancy

‘birrarung ba brungergalk 2’, 2023, pigment inkjet print mounted on Dibond, 150 x 100 cm, edition of 5 + 1AP

Peta Clancy

‘birrarung ba brungergalk 3’, 2023, pigment inkjet print mounted on Dibond, 150 x 100 cm, edition of 5 + 1 AP

Andrew Rogers

‘The Air We Breathe’, 2023, bronze, 130 x 115 x 18 cm

Andrew Rogers

‘I Believe III’, 2023, bronze, 42 x 45 x 23 cm,

Lyndell Brown and Charles Green

Orpheus Machine, 2023, oil on linen, 121 x 121 cm

Lyndell Brown and Charles Green

Journey to the East, 2023, oil on linen, 155 x 155 cm

Dani Marti

‘BOB’, 2023, polyester and polypropylene on aluminium, 133 x 135 x 10 cm

Cobi Cockburn

‘In Close 1’, 2023, neon and sheet glass, 75 x 75 x 6 cm

Locust Jones

‘Unfamiliar currents (Tokyo Diary)’, 2023, Ink on Campi, overall 148 x 210 cm triptych, unframed

Dani Marti

‘Pointless (Blanc Cendrós)’, 2022, customised corner cube reflectors and glass beads on aluminium frame, 130 x 130 x 28 cm

Tim Johnson

‘New Thredbo’, 2022, acrylic on linen, 75 x 100 cm

Peta Clancy

‘Confluence 3’, 2022, pigment inkjet print, edition of 5 + 1 AP 100 x 150 cm / edition of 5 + 1 AP, 66 x 100 cm

Peter Hoffer

‘Colonial’, 2022, acrylic, oil and epoxy on board, 122 x 63 cm

Claudia Terstappen

‘Rain today, sun tomorrow’, 2022, glazed ceramic, rope, ca. 120 x 40 x 12 cm, 8 cones Ø 10 x 21-24 cm

Piers Greville

‘It’s mountains all the way down’, 2022, oil on linen, 182 x 122 cm

Piers Greville

‘Off planet’, 2022, oil on linen, 182 x 122 cm

Piers Greville

‘Spielzeug schema’, 2022, oil on linen, 182 x 122 cm

Clemens Krauss

‘Venture / Adventure VII’, 2022, oil on canvas, 110 x 90 cm

Anne Zahalka

‘Rising Tide’, 2022, Type C print, plastics collected from birds, 80 x 80cm framed

Tim Johnson

‘Thredbo Verse’ (with Daniel Bogunvic), 2022, acrylic on linen, 183 x 152 cm

Jon Cattapan

‘Mountain (Needles)’, 2022, oil and acrylic on Belgian linen, 185 x 240cm

Jon Cattapan

‘Diptych 5’, 2022, oil and acrylic on Belgian linen, 2 panels, 100 x 50cm

Dani Marti

‘Gàrgola’, 2022, polyester, aluminium, 150 x 103 x 80cm

Dani Marti

‘NATURA MORTRA SOTA LES ESTRELLES- vermell (red)’, 2022, Polyproplene, 78 x 80 x 36 cm

Jon Cattapan

‘Double Red Study’, 2021, acrylic and oil on linen, 90 x 102 cm

Claudia Terstappen

‘Being curious’, 2021, glazed ceramic, ca. 42 x 28 x 18 cm, wood plinth, ca. 34 x 24 x 11 cm

Catherine O’Donnell

‘Somerset Window’, 2021, charcoal on paper, 90 x 56 cm

Locust Jones

‘Waiting for News’, 2021, ink, shellac, pigment, pencil and oil bar on layers of photographic back-lit film inside wooden light with LED panels, 75 x 75 x 15 cm

José Angelino

‘Resistenz’, 2021, gas, neon, blown glass, electricity, 90 x 7 x 5 cm

Peta Clancy

‘Undercurrent 4’, 2020, pigment inkjet print, 100 x 150 cm, edition of 5 + 1AP

Giacomo Costa

‘atmosfera n.22’, 2020, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 100 cm, edition of 1

Elger Esser

‘Etang du Bateguier IV’, 2020, C-Print, Diasec Face, 244 x 184 x 5 cm, framed, edition 3/7 + 1AP

Piers Greville

‘Rest Energy’, 2020, oil and acrylic on masonite, 61 x 92 cm

Dani Marti

‘Dust (Brown)’, 2020, customised corner cube reflectors on aluminium, 130 x 130 cm

Dani Marti

‘Between’ (H2/3-60), 2020, polyester and polypropylene rope on polished aluminium frame, 65 x 65 x 11 cm

Jon Cattapan

‘Stargirl’, 2019, oil and acrylic on linen, 185 x 250cm

Peta Clancy

‘Undercurrent’ (6), 2018-19, inkjet pigment print, 106 x 150 cm, edition of 5 + 1AP, unframed

Giacomo Costa

‘atmosfera n.12’, 2019, archival print on solve glaze satin photopaper mounted onto Aludibond, 100 x 177 cm, edition of 1

Piers Greville

‘Weizmann Experiment (You are Here), 2019, oil and concrete on board, diptych, 120 x 180 cm overall

Claudia Terstappen

Claudia Terstappen, ‘Petrol tower‘, 2019, glazed ceramic, 25 x 33 x 13 cm

Claudia Terstappen

Claudia Terstappen, ‘Black blue Tower‘, 2019, glazed ceramic, 23 high, Ø 12 cm

Andrew Rogers

Cognition 1′, 2019, bronze, 128 x 90 x 98 cm, unique

Katie West

wilayi bangarrii (go for a walk) 6/6, 2019, calico, natural dyes (eucalyptus, corymbia and acacia), 97cm x 126cm

Katie West

yuwarda (build a fire in a shallow depression) 4/4, 2019, Silk, natural dyes (eucalyptus, corymbia and acacia), 129cm x 121cm

Katie West

‘Clearing – fragments’, cushions made with silk dyed with eucalyptus leaves and bark; muslin dyed with puff ball fungus; calico dyed with eucalyptus leaves and bark and puff ball fungus; all filled with wool and cotton wadding.

Piers Greville

‘Ngakanohi Grid’, 2019, oil on steel mesh, 76 x 46 cm

Lyndell Brown and Charles Green

The Crossing, 2019, oil on linen, 180 x 260 cm

Jon Cattapan

‘Two Sentient Study III, 2018, 3D print, framed, 37 x 44 cm, edition of 5 + 1 A.P

Lucas Davidson

‘Second Life’, 2018, pigment print, 75 x 60 cm framed, edition of 2 + 2 a.p.

Lucas Davidson

‘Pound of Flesh lI’, 2018, pigment print on alupanel, 40 x 50 cm, edition 3 + 1 a.p.

Lucas Davidson

‘Pound of Flesh lII’, 2018, pigment print on alupanel, 40 x 50 cm, edition 3 + 1 a.p.

Lucas Davidson

‘Pound of Flesh VII’, 2018, pigment print on alupanel, 40 x 50 cm, edition 3 + 1 a.p.

Clemens Krauss

Clemens Krauss, ‘Zellen / Cells’, 2019, oil on canvas, 60 x 50 cm

Catherine O’Donnell

‘Cité Spinoza, Paris #2’, 2018, pencil on paper, framed with museum glass, 65 x 45 cm

Clément Cogitore

‘Braguino #1 (Boy)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Clément Cogitore

‘Braguino #2 (Dogs)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Clément Cogitore

‘Braguino #3 (Children’s hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Clément Cogitore

‘Braguino #5 (Girl)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, no glazing, 40 x 60 cm, edition of 5 + 2AP, edition 2/5

Clément Cogitore

‘Braguino #6 (Forest hut)’, 2018, Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Clément Cogitore

‘Braguino #7 (Wing)’, 2018 Hahnemühle Paper mounted on aluminium, framed with shadow frame, 40 x 60 cm, edition of 5 + 2AP, edition 1/5

Dani Marti

‘Composition in Orange and Green’, 2018, polyester and aluminium, 62 x 62 x 8cm

Andrew Rogers

‘I Am-Dancer’, stainless steel, red polychrome, 69 x 38 x 39 cm, edition 1 of 12 + 1AP

Catherine O’Donnell

(#17369) Sirius Fools Gold, 2018, Screenprint, framed with museum glass, 38 x 44 cm

Peta Clancy

‘Fissures In Time 1’, 2017, framed Inkjet pigment print, 91 x 124 cm

Peta Clancy

‘Fissures In Time 2’, 2017, Inkjet Pigment Print, 72 x 100 cm

Lucas Davidson

‘Death as a Companion to Living’, 2017, pigment print, 112 x 90 cm, edition of 3 + 1 a.p.

Clemens Krauss

‘Biotope’, from the series ‘Noise’, 2017, oil on canvas, 70 x 90 cm

Clemens Krauss

‘Self portrait as a child’, 2017, silicone, oil, own hair, mixed media, dimensions variable

Helen Pynor

‘Fallen 2’, 2017, archival pigment print, 80 x 120 cm, edition of 5 + 1 AP

Isidro Blasco

Isidro Blasco, ‘Aerial Paris’, 2017, c-print, wood, museum board, 50 x 25 x 8 cm

Isidro Blasco

‘Bridge in Rio’, 2017, C-print, wood, museum board, 36 x 18 x 8 cm

Isidro Blasco

‘Model 2’, 2016, C-print, wood, museum board, 25 x 25 x 5 cm

Isidro Blasco

‘New York Planet’, 2017, C-print, wood, museum board, 60 x 60 x 20 cm

Isidro Blasco

‘New York Wave, BW’, 2017, c-print, wood, museum board, 198 x 71 x 35 cm

Dani Marti

‘Vermell Sobre Vermell’, 2016, customised corner cube reflectors on powder-coated aluminium frame, 115 x 115 cm

Tim Johnson

‘Green Mt Meru’, 2017, acrylic on linen, 183 x 244 cm

Andrew Rogers

‘Walking Through the Winds III’, 2017, stainless steel, 235 x 182 x 67 cm

Catherine O’Donnell

‘Sydney Fibro Series 4’, 2017, charcoal on paper, 38 x 69 cm, framed with museum glass

Elger Esser

‘Hornby’, 2015, Hahnemühle Ultrasmooth 100 cotton rag, 123 x 103 cm, edition of 7 + 1AP

Clemens Krauss

‘From the Series: “Me”, 2015, oil on canvas, 71 cm x 111 cm

Clément Cogitore

‘Digital Desert #1’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, edition 3/5

Clément Cogitore

‘Digital Desert #2’, 2015, C-Print face-mounted onto acrylic, 120 x 170 cm, edition of 5 + 2 AP, Artist Proof 1/2

Clément Cogitore

‘Digital Desert #3’, 2015, 120 x 170cm, faceMount Acrylic, C-Print, edition of 5 + 2 AP, edition 2/5

Jon Cattapan

‘Masked Group XXI’, Monoprint series, 2014, 40 x 40 cm, framed

Helen Pynor

‘The Accidental Primate 1’ 2014, Pigment print, face-mounted on acrylic with shadow frame, 120 x 80 cm

Tim Johnson

‘Kalachakra Mandala (with Karma Phuntsok)’, 2004, acrylic on linen, 122 x 91 cm

Isidro Blasco

‘QVB’, 2013, C-print on museum board, wood and hardware, 80 x 125 x 21cm

Isidro Blasco

‘Opera’, 2013, C-print on museum board, wood and hardware, 38 x 78 x 9cm

Isidro Blasco

‘Brett Whiteley’s Studio II’, 2013, C-print on museum board, wood, hardware, 36 x 60 x 20cm

José Angelino

‘Orion’, 2013, gas, argon, blown glass, electricity, variable dimensions

Elger Esser

‘Ile Madame’, France, 2011, C-Print, DiaSec Face, 130 x 180 x 5 cm, edition of 7 + 1AP

Elger Esser

‘Combray (Giverny IV)’, France (Haute-Normandie, 27 Eure), 2010, Heliogravure on hand made paper, 117 x 133 x 6 cm, edition of 12 + 3AP

Isidro Blasco

‘Sydney Aerial – Live Animation’, 2011, Stop motion video, Museum board, wood

Clemens Krauss

‘Open (Chess)’, 2010, Oil on canvas, 110 x 190 cm

Helen Pynor

Liquid Ground 2′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Helen Pynor

Liquid Ground 4′, 2010, C-type photographic print face mounted on glass, 160 x 110 cm, Edition of 5 + 1AP

Giacomo Costa

‘Private Garden n.8’, 2009, C-Print on Aluminium, 100 x 200cm, edition of 1

Elger Esser

‘Seacliff II’, USA, 2007, C-Print & DiaSec Face, 180 x 236 cm, Edition 5/7

Helen Pynor

Milk 6 (Sarsaparilla), 2009, C-type photograph face-mounted on glass, 100 x 66 cm / 160 x 106cm

Helen Pynor

Milk 7 (She Oak), 2009, C-type photograph face-mounted on glass, 100 x 66 cm / 160 x 106cm

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Stephan Balkenhol

‘U.T.’, 2008, charcoal on paper, 32 x 24 cm

Helen Pynor

Milk 1 (Sweet pittosporum), 2008, C-type photograph face-mounted on glass, 160 x 106cm, edition of 3 + 1AP

Helen Pynor

Milk 5 (Tea tree), 2008, C-type photograph face-mounted on glass, 160 x 106 cm, edition of 3 + 1AP

Helen Pynor

Milk 2 (Sydney red gum), 2008, C-type photograph face-mounted on glass, 100 x 66cm, edition of 5 + 1AP

Elger Esser

‘Perros-Guirec’, 2003, C-Print, Diasec Face, 184 x 138 x 5 cm, framed, edition 7/7 + 1AP

Andrew Rogers

‘Folded’, 2003, bronze, 106 x 74 x 50 cm, edition of 12 + 1AP

Anne Zahalka

‘Strangers in a Strange Land, Pinnacles Desert’, 2003, type C photographic print, 115 x 145 cm, edition of 12 + 2AP, unframed

Andrew Rogers

‘Balance’, 2002, bronze, 250 x 250 x 200 cm, edition 2 of 12

Anne Zahalka

‘The Bathers’, 1989, type C photographic print, 74 x 90cm, edition of 20 + 1AP

Anne Zahalka

‘The Sunbather #1’, 1989, 90cm x 74cm, type C print, edition of 20 + 1AP

Anne Zahalka

‘The Sunbather #2’, 1989, type C photographic print, 93 x 93 cm, framed, edition of 20 + 1AP

Anne Zahalka

‘The Reader (Silke Leverkühne/painter)’, 1987, Cibachrome and Ilfrachrome prints, 30 x 30cm (framed 47.3 x 47cm), edition 10 + 2A/P

Tim Johnson

‘New Music’, 1979, synthetic polymer paint on canvas, 124 x 184 cm

Tim Johnson

‘Induction, University of Queensland, 31/7/1972’, 1972-2009, gelatin silver photographs, 21 x 26 cm each, edition of 1

Tim Johnson

‘Out of the gallery: Installation as conceptual scheme’, 1971, 110 A4 photographs and text on paper, 20 x 25 cm each

Gregor Schneider

‘WEISSE FOLTER Düsseldorf’, 2007, BLU-RAY, 20:04 min., 3/6

Gregor Schneider

‘HAUPTSTRASSE Garzweiler’, 2008, BLU-RAY, 5:13 min., 3/6

Items found: 229